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WINE KILLER

Awards & Accolades

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Wine enthusiasts and wine collections are targeted as the police and consultant Jake Halsey chase an inscrutable killer.

A man is found dead in his wine cellar courtesy of a cyanide and wine concoction, and Det. David Riley calls friend and colleague Halsey, a “civilian expert” and the protagonist of Edgerton’s mystery novel debut. The detectives working the case quickly tie the murder to other crimes, including arson, all of which relate to wine collectors. There’s a distinct pattern among the transgressions, the labor of a psychopath whose murders are undeniably, thematically crafty—wine is even used to embalm one of the victims. The authorities call on Halsey’s skills at analyzing evidence to prevent further loss of lives and wine. Halsey is a well-rounded character, given depth with a history of a wife and daughter killed by a drunk driver and, he learns, a personal association with the titular murderer. He’s also regrettably self-indulgent, prone to reciting his resume when given a chance and spending much of his early courtship of Dr. Catherine Taylor showing off his big-ticket collectibles, antique cars and aircraft. The story is at its best during the scenes of investigation, which are methodical and meticulous but never tedious. Details of the case are often reiterated, including numerous lists of locations or methods of murder, but the story is not repetitive and instead these feel like continuous updates. The detectives are shrewd, not merely trailing the killer’s progress but anticipating his next move as well. The investigation, in fact, proves more intriguing than the killer himself, who hides behind his anonymity in random narrative segments until the inevitable meeting of adversaries. The identity of the killer may not be much of a surprise to readers, but the road to the revelation is exuberant and energetic.

 

Pub Date: Sept. 1, 2011

ISBN: 978-0983493808

Page Count: 323

Publisher: Halsey

Review Posted Online: Dec. 29, 2011

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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