by William Edgerton ‧ RELEASE DATE: Sept. 1, 2011
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Wine enthusiasts and wine collections are targeted as the police and consultant Jake Halsey chase an inscrutable killer.
A man is found dead in his wine cellar courtesy of a cyanide and wine concoction, and Det. David Riley calls friend and colleague Halsey, a “civilian expert” and the protagonist of Edgerton’s mystery novel debut. The detectives working the case quickly tie the murder to other crimes, including arson, all of which relate to wine collectors. There’s a distinct pattern among the transgressions, the labor of a psychopath whose murders are undeniably, thematically crafty—wine is even used to embalm one of the victims. The authorities call on Halsey’s skills at analyzing evidence to prevent further loss of lives and wine. Halsey is a well-rounded character, given depth with a history of a wife and daughter killed by a drunk driver and, he learns, a personal association with the titular murderer. He’s also regrettably self-indulgent, prone to reciting his resume when given a chance and spending much of his early courtship of Dr. Catherine Taylor showing off his big-ticket collectibles, antique cars and aircraft. The story is at its best during the scenes of investigation, which are methodical and meticulous but never tedious. Details of the case are often reiterated, including numerous lists of locations or methods of murder, but the story is not repetitive and instead these feel like continuous updates. The detectives are shrewd, not merely trailing the killer’s progress but anticipating his next move as well. The investigation, in fact, proves more intriguing than the killer himself, who hides behind his anonymity in random narrative segments until the inevitable meeting of adversaries. The identity of the killer may not be much of a surprise to readers, but the road to the revelation is exuberant and energetic.
Pub Date: Sept. 1, 2011
ISBN: 978-0983493808
Page Count: 323
Publisher: Halsey
Review Posted Online: Dec. 29, 2011
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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