Wine enthusiasts and wine collections are targeted as the police and consultant Jake Halsey chase an inscrutable killer.
A man is found dead in his wine cellar courtesy of a cyanide and wine concoction, and Det. David Riley calls friend and colleague Halsey, a “civilian expert” and the protagonist of Edgerton’s mystery novel debut. The detectives working the case quickly tie the murder to other crimes, including arson, all of which relate to wine collectors. There’s a distinct pattern among the transgressions, the labor of a psychopath whose murders are undeniably, thematically crafty—wine is even used to embalm one of the victims. The authorities call on Halsey’s skills at analyzing evidence to prevent further loss of lives and wine. Halsey is a well-rounded character, given depth with a history of a wife and daughter killed by a drunk driver and, he learns, a personal association with the titular murderer. He’s also regrettably self-indulgent, prone to reciting his resume when given a chance and spending much of his early courtship of Dr. Catherine Taylor showing off his big-ticket collectibles, antique cars and aircraft. The story is at its best during the scenes of investigation, which are methodical and meticulous but never tedious. Details of the case are often reiterated, including numerous lists of locations or methods of murder, but the story is not repetitive and instead these feel like continuous updates. The detectives are shrewd, not merely trailing the killer’s progress but anticipating his next move as well. The investigation, in fact, proves more intriguing than the killer himself, who hides behind his anonymity in random narrative segments until the inevitable meeting of adversaries. The identity of the killer may not be much of a surprise to readers, but the road to the revelation is exuberant and energetic.
Pub Date: Sept. 1, 2011
ISBN: 978-0983493808
Page Count: 323
Publisher: Halsey
Review Posted Online: Dec. 29, 2011
Review Program: Kirkus Indie
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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