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THE REDHUNTER

Brisk, engrossing, vintage Buckley (Brothers No More, 1995, etc.). Given that it’s a tale unabashedly partisan, it is – for...

            A fictional portrait of Joe McCarthy – sympathetic but not sanitized – in which clay feet replace cloven hooves.

            Here’s 20 year-old McCarthy needing to pass a written exam in order to get back into high school.  But he’s not good at written exams.  To him, it seems more efficient simply to draft a friend to take the test for him.  Some years later, running for his first elective office and facing a popular incumbent, he informs the tax-jittery electorate that his rival has earned between $175,000 and $200,000.  He neglects to add that it took 20 years for this sum to accrue.  Sharp dealing, half-truths, and innuendoes abound, and McCarthy detractors will point to these as the mark of the man.  But Buckley wants his readers to see McCarthy through the eyes of Harry Bontecou, the novel’s second-string hero.  Harry, young, brilliant, politically conservative, and fervently anti-Soviet, views McCarthy as standing in the nation’s first line of defense against an enemy far too lightly regarded.  It’s the man’s constancy, courage, and foresight that draw Harry to him.  To Harry (as to McCarthy), it’s clear that only fools or villains can doubt that “loyalty risks” operate in the State Department, shaping (and corrupting) American foreign policy.  Harry signs on with the redhunting senator, and through him we witness most of the events constituting his meteoric rise and calamitous fall in just a four-year period starting in 1950.  We watch the offstage McCarthy as well – the easygoing charmer, the blindly loyal friend, the smitten lover, the hapless drunk.  And then, at the climactic Army-McCarthy hearings, we see him come apart, the victim of his own excesses.  But, according to his friend Harry, he’s never small-minded or mean-spirited.

            Brisk, engrossing, vintage Buckley (Brothers No More, 1995, etc.).  Given that it’s a tale unabashedly partisan, it is – for the most part – surprisingly credible.  (Author tour)

Pub Date: June 1, 1999

ISBN: 0-316-11589-4

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1999

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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