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THE FRIEDKIN CONNECTION

A MEMOIR

For aspiring directors, a glimpse into the school of hard knocks, but there’s plenty of good stuff, lean and well-written,...

The Oscar-winning director of The French Connection and The Exorcist looks back at his life and work.

Friedkin writes that his career began accidentally, interviewing for the wrong job but landing a spot in the mail room at WGN in Chicago (“By the way, kid, are you stupid?” his interviewer asked), and from there working his way from one job to the other, learning the crafts necessary to make a show—and then a film—through trial and error: “Will the floor manager please keep away from the camera?” he was once asked. Lessons learned, he moved west to Los Angeles, where he fell into friendly competition with his contemporaries, foremost among them Francis Ford Coppola, and steadily built a résumé as a reliable filmmaker able to coax the best performances out of actors. There’s plenty of inside baseball here, but Friedkin is more interested in discussing the technical details of his films; we learn, for instance, that “there was not a lot of dialogue looping” in The French Connection, for all the noise on the New York streets, and that Max von Sydow was so tall that he “had to develop a slouch and arthritic movement” for the character he played in The Exorcist. A surprise, given Hollywood’s secular nature, may be the revelation of the depth of Friedkin’s religious faith—even though William Peter Blatty, who wrote the story of that spooky flick, accused him of “having undercut the film’s moral center.”

For aspiring directors, a glimpse into the school of hard knocks, but there’s plenty of good stuff, lean and well-written, for civilian film fans, too.

Pub Date: April 9, 2013

ISBN: 978-0-06-177512-3

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: March 10, 2013

Kirkus Reviews Issue: April 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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