Realistically gritty and morally astute, these tales can also feel overly instructional.
A wide-ranging volume offers a collection of short stories and a novella.
Coles (Sister Carrie, 2016, etc.) seems drawn to epiphanies begotten from moral crisis, a theme that permeates this assemblage of 33 tales and a novella, well under 100 pages. In the first story, “The Gift,” a 17-year-old girl, Catherine, becomes pregnant and is sent by her furious mother to a convent in France to deliver the child and then give it up for adoption. The baby is born without feet, but Catherine loves her deeply anyway, teaching her the difference between a disability and a blessing. In “The Necklace,” an unmarried couple struggles to figure out their future while they travel in India, but when they see tragedy befall another pair, they fully realize the depth of their love for each other. Some of the stories are so short they’re impressionistic and pull the reader into what seems like a dramatic narrative already in progress. For example, “The Bear” is two pages and details the outpouring of gratitude a man feels for life after he narrowly escapes death. Many of the tales confront a conundrum, inviting readers to draw their own conclusions. In “Dilemma,” a surgeon’s son shoots himself in an attempted suicide, and the physician has to decide if it’s either cruel or loving to try to save him, given the irreparable damage he has done to himself. The book concludes with a novella that dramatizes the love a teenage girl has for an Iranian boy possibly mixed up in terrorist activity. Cole’s compilation is as artistically ambitious as it is eclectic—one of the stories is set in France during its Revolutionary era. In addition, the author’s moral explorations are courageously unflinching and don’t shy away from either controversial or macabre subject matter. But these ethical studies can cross a line into sermonizing and read like overly didactic parables meant to impart heavy-handed lessons. Furthermore, the prose can be underwhelming: “Despite our lack-of-a-forever-marriage commitment, Helen and I were intimate good buddies, and we leveled our friendship canoe pretty well by stroking carefully in unison on opposite sides.”
Realistically gritty and morally astute, these tales can also feel overly instructional.Pub Date: June 23, 2016
ISBN: 978-0-9976729-3-0
Page Count: -
Publisher: Story in Literary Fiction
Review Posted Online: May 12, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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