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ROBERT A. HEINLEIN, VOLUME 1

LEARNING CURVE (1907-1948)

Less engaging than Asimov’s autobiography, which remains a standard, but still a welcome account of the development of an...

First volume of a two-part biography of legendary sci-fi writer Robert A. Heinlein (1907–1988).

It may surprise readers schooled in Heinlein’s stern, even quasi-fascistic visions of the future to learn that their author was a sometime liberal Democrat involved in postwar party politics in his adopted California. It will not surprise them to know that Heinlein, on the road to a lifetime’s service in the Navy until being drummed out for medical reasons, was infamous among subordinates as a by-the-book disciplinarian of a Captain Bligh—or perhaps Queeg—bent. By Heinlein aficionado Patterson’s account, he discovered science fiction early on, but initially took to it as a means of having to work a real job. World War II robbed him of that escape, but he worked intently to write stories for pulp magazines that criss-crossed the genres of science fiction and fantasy until building up the skills and stamina to begin the huge novels for which he would become famous. “Just before Pearl Harbor,” writes Patterson, “he had intended to raise his sights…to the slick magazines and book publication, which pretty much implied then that he would leave science fiction behind.” Yet science fiction would flourish after the war, with its futuristic visions as wrought by contemporaries such as E.E. “Doc” Smith, Isaac Asimov and L. Sprague de Camp. Patterson pays fitting homage to those writers as mentors and competitors, also giving due to longtime editor John Campbell, who advised Heinlein of what would work (plenty of plot complications) and what wouldn’t (leave religion out of it). The author clearly has a handle on every moment of Heinlein’s life, including the unpleasant (a nasty divorce) and controversial (trash-talking L. Ron Hubbard) episodes, but sometimes trips over awkward, overworked locutions.

Less engaging than Asimov’s autobiography, which remains a standard, but still a welcome account of the development of an important popular writer.

Pub Date: Aug. 17, 2010

ISBN: 978-0-7653-1960-9

Page Count: 624

Publisher: Tor

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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