by William H. Patterson Jr. ‧ RELEASE DATE: June 3, 2014
Patterson covers all the bases—an essential book for studious fans of Heinlein, with valuable lessons for anyone hoping to...
Second and concluding volume of Patterson’s wide-ranging biography of the renowned science-fiction author.
As Patterson (Robert A. Heinlein: In Dialogue with His Century: Volume 1 (1907-1948): Learning Curve, 2010) notes, Robert Heinlein (1907-1988) did not limit himself to what was then a small, if growing, genre of popular fiction. By the early 1950s, “he was in boys’ and girls’ markets, books, pulp, and film, all at the same time”—part of a concerted, thoroughly thought-through effort to free himself from the pulps while making a living as a writer. Patterson is well-versed in the Heinlein oeuvre, and a significant contribution of his biography is to place Heinlein’s works in the context of his life and the evolution of his politics. As Heinlein was writing his best-known books, among them Stranger in a Strange Land (1961) and Starship Troopers (1959), he was making a political arc from beyond–New Deal Democrat to right-of-Goldwater Republican, a transformation helped by a second marriage to an activist conservative. Though he was friendly with L. Ron Hubbard, he resisted taking the path into invented religion and instead used his fiction to explore philosophical questions of meaning (one reason that Stranger became such a hit in the ’60s counterculture). The ’50s, Patterson reveals, were lucrative and satisfying for Heinlein in some respects, though the ground was always shifting; his Hollywood period closed with a thud when the production company he worked with closed its doors. He was on firmer footing in the ’60s, and though reviewers were often antagonistic (Patterson quotes a few, including some from this publication, that were friendly but more that were not), his books did well—encouraging fan mail that, as Patterson recounts, was full of detailed questions “about everything from economics to where Robert parted his hair.”
Patterson covers all the bases—an essential book for studious fans of Heinlein, with valuable lessons for anyone hoping to make a living with the pen.Pub Date: June 3, 2014
ISBN: 978-0-7653-1961-6
Page Count: 624
Publisher: Tor
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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