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CORSICAN HONOR

Sprawling, spirited follow-up to The Corsican (1983)—one of the violent crime dramas that Heffernan specialized in before his lighter mystery-thrillers (Blood Rose, etc.). Here, as in The Corsican, the nearly nonstop action—which ranges from 1947 to 1990—mixes spicy Corsican gangster lore and intense spy-vs.-spy intrigue. The story opens in 1980 Marseilles, where hero Alex Moran, Defense Intelligence Agency (DIA) office chief, sets out to ensnare German terrorist Ernst Ludwig, a sadistic killing machine who doesn't let his Soviet protectors get in the way of his pleasures—bombing innocents and rape-mutilating young women. Alex, aided by his Corsican mobster ``uncles'' Antoine and Meme Pisani—who served Alex's CIA-honcho dad before him—gets close enough to Ludwig to wound him in the cheek and push him into a vengeful kidnapping of Alex's wife, Stephanie. To save her, Alex turns international outlaw, strong-arming the local KGB chief for help—an act that doesn't save Stephanie from Ludwig's sadistic wrath but does force Alex into long exile at the Pisani's Corsica stronghold. Cut to a long flashback set in 1947, detailing how the Pisanis rose to power with the help of Alex's father, who in turn used them to control Red agitators in Marseilles. Cut to 1990, with Alex an unhappy teacher of English at a small New England college- -until Ludwig reappears in Europe and the CIA calls on Alex to take his best shot. Middle-aged Alex undergoes rigorous Special Forces retraining, then heads to Europe for a drawn-out but consistently exciting manhunt that brings him head-to-head against not only Ludwig but his father as well—and the devil's deal for power and fortune he made 43 years before. Busy, bloody, generally gripping—and tougher than a barrel of Corleones, though not nearly as clever.

Pub Date: Aug. 13, 1992

ISBN: 0-525-93465-0

Page Count: 464

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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