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THE DINOSAUR CLUB

A jocose but pointed fable from Heffernan (Corsican Honor, 1992, etc.) pits aging executives against impatient young guns whose corporate strategies don't put people first. Jack Fallon's wife Trisha suddenly walks out on him after 24 years of more or less blissful wedlock. Badly jolted but stubbornly on the job as VP at Manhattan-based Waters Cable, the 49-year-old suburbanite learns through the grapevine that Carter Bennett, the company's unscrupulous young CFO, may be eyeing him, his senior associates, and their sizable pay packages as candidates for the big business equivalent of extinction. Instead of going quietly, Jack and his fellow targets resist the layoffs with preemptive strikes launched through a so-called Dinosaur Club they've organized. While their low-intensity revolt disrupts Carter's master plan to force as many older workers as possible from the payroll before instituting a mass dismissal, he presses on with a campaign of attrition. His presumed accomplice in this effort is Samantha Moore, a comely thirtysomething attorney who's been detailed to provide for a downsizing that won't result in a storm of discrimination suits. Increasingly disturbed by the nature of her big-chance assignment, Samantha eventually joins forces with the insurgents. In the meantime, Jack is being led a merry chase by the spouse from whom he's separated. The Vietnam vet nonetheless finds time to keep top management at bay and fall in love with clever Samantha, who returns his affections. The mechanics of how he and his over-the-hill gang turn the tables on their would-be tormentors will afford considerable comfort to those who believe age, experience, and cunning can overcome youth and enthusiasm almost every time. An enormously entertaining yarn that puts the concept of human resources in an arresting new perspective. (Film rights to Warner Bros.)

Pub Date: June 1, 1997

ISBN: 0-688-14988-X

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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