bookshelf

BEHIND THE KING'S KITCHEN

Name: BEHIND THE KING'S KITCHEN
Author: William Jay Smith
ISBN: 1-56397-024-4

A ROSTER OF RHYMING RIDDLES

by William Jay Smith & translated by Carol Ra & illustrated by Jacques Hnizdovsky ‧ RELEASE DATE: April 30, 1992

bookshelf

An attractive presentation of traditional and other riddles, chosen as much for their poetic quality as for their humor or the challenge of the puzzles; the thematic grouping would tend to suggest solutions even if the answers weren't given. What isn't provided is accessible sourcing; though a list of works like the Opies' volumes is appended, readers must guess, for example, what era described a watch as ``Beloved by men of degree.'' Only entries from known authors are specifically attributed; these include elegant literary translations from Symphosius (fourth century) by Richard Wilbur, nice oddments from Tolkien, Swenson, and Rossetti, and several—mostly doggerel—from the editors. Hnizdovsky's lovely, spare woodcuts, on most spreads, contribute to the handsome format but have little child appeal. Overall: pleasing but not essential. (Nonfiction. 8-12)

Pub Date: April 30, 1992

ISBN: 1-56397-024-4

Page Count: 56

Publisher: Wordsong/Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
UP THE HILL AND DOWN
edited by William Jay Smith & illustrated by Allan Eitzen

- BOOK REVIEW
HERE IS MY HEART
edited by William Jay Smith & illustrated by Jane Dyer

bookshelf

JAKE THE FAKE KEEPS IT REAL

From the Jake the Fake series , Vol. 1

by Craig Robinson & Adam Mansbach ; illustrated by Keith Knight ‧ RELEASE DATE: March 28, 2017

A fast and funny alternative to the Wimpy Kid.

bookshelf

Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.

Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.

A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)

Pub Date: March 28, 2017

ISBN: 978-0-553-52351-5

Page Count: 144

Publisher: Crown

Review Posted Online: Dec. 5, 2016

Kirkus Reviews Issue: Dec. 15, 2016

Categories:

CHILDREN'S GENERAL CHILDREN'S

bookshelf

CORALINE

by Neil Gaiman ‧ RELEASE DATE: July 1, 2002

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...

bookshelf

A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.

Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)