Those who aren’t sure what they’re in for with Palahniuk won’t want to start here.
Beneath the glamour of Hollywood lies an ineffable sadness, a commonplace notion that this occasionally amusing novel both belabors and mocks.
As the cult master of high-concept fictional subversion, the prolific Palahniuk (Pygmy, 2009, etc.) has his typical fun here, though the thinness of character and lack of narrative momentum that are part of the plan might try the reader’s patience. Within “this silly motion picture we call human history,” the tarnished heroine is aging Katherine “Miss Kathie” Kenton, whose riveting violet eyes and multiple marriages might tempt some to recall Elizabeth Taylor. The narrator is Hazie Coogan, who tells the story in terms of acts and scenes, with flashbacks and voice-overs. And who is Hazie? Not exactly a housekeeper or personal assistant to Miss Kathie. Perhaps a confidante or nursemaid. Certainly the second banana. “I was Thelma Ritter before Thelma Ritter was Thelma Ritter,” she writes, or rather Palahniuk writes, only in the novel each reference to Thelma Ritter is in boldface. As is every other proper name, most of them recognizable (“Lilly” Hellman, Coco Chanel, Ronald Reagan), and product name. Both the novel’s title and the boldface recall the golden age of the gossip columnist, with the author having great sport with the wordplay that once filled the columns of Walter Winchell, Hedda Hopper and the like. Every ex-husband, of whom Miss Kathie has many, is a “was-band,” while a book about such a star might be a “bile-ography.” As a younger Lothario vies to become the next Mr. Kathie, he is writing a memoir that will be far more marketable after her death. Or is he? Among the meta-fictional challenges the reader must confront within this narrative within a narrative within a narrative is what kind of book is Hazie writing (and we are reading). Meanwhile, the wordplay amuses.
Those who aren’t sure what they’re in for with Palahniuk won’t want to start here.Pub Date: May 4, 2010
ISBN: 978-0-385-52635-7
Page Count: 192
Publisher: Doubleday
Review Posted Online: Feb. 16, 2011
Kirkus Reviews Issue: Feb. 15, 2010
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
