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3 JUNO

A tech-heavy reimagining of Genesis and the Book of Revelation, with hit-and-miss results.

Horrible bloodshed, cryptic omens and a doomsday asteroid propel this angsty Christian sci-fi saga.

When archaeologist Jonah Lamb unearths a scroll in the Holy Land containing the prophecy that “a rock thrown by the priestess Juno will strike the earth,” his astrophysicist friend Martin Henley connects it to the comet that’s about to hit asteroid 3 Juno and knock it onto a collision-course with earth. Rejecting an invitation from snobby plutocrats to join them on their space station, Martin and Jonah activate a project to preserve a saving remnant in an “Ark”—a nuclear-powered bunker in Idaho where a young man and woman, thousands of frozen embryos, a garden and a two-by-two collection of animals will wait in cryogenic slumber to repopulate Earth once the asteroid radiation subsides in a few decades. All they need is a watchman, and who, they wonder, could be better than David Keyes, a doctor who has been in an alcoholic stupor ever since his family was slaughtered by psychopaths in the novel’s grisly opening chapter? David is dubious, but with God’s prompting he accepts the lonely mission to watch over the bunker’s sleeping “Adam” and “Eve.” Alas, every Eden has its serpent, and the devil’s murmured temptations prod David toward a crisis of faith—with all Creation hanging in the balance. The author crafts an arresting end-of-days scenario and invests his hero’s predicament—alone and despondent, David can never quite tell whether he is sane or delusional—with real pathos. The story often gets derailed by mythic and spiritual flourishes; there are extended scenes of the showdown between David and Goliath and the crucifixion of Jesus, and mystic soliloquies becalm the narrative. (“When you make the two into one and when you make the inner like the outer and the outer like the inner, and the upper like the lower…then you too will enter the kingdom of heaven.”) Gregory’s pastiche of biblical and sci-fi motifs can feel contrived and heavy-handed.

A tech-heavy reimagining of Genesis and the Book of Revelation, with hit-and-miss results.

Pub Date: Jan. 26, 2011

ISBN: 978-1456558949

Page Count: 316

Publisher: CreateSpace

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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