Readers of the classics may become manga fans, and manga fans may find the world of classic literature opening up to them...
This graphic-novel take on the Bard’s Macbethretains all of the original wording.
Chan’s (Romeo and Juliet, 2018, etc.) choice to use Shakespeare’s unabridged text makes the presence of the imagery all the more important. Illustrator Choy (Romeo and Juliet, 2018, etc.) stays true to traditional manga style, portraying the white European characters with large eyes and delicate facial features. The art allows for visual clarification, offering clues to help readers who might struggle without it: Scenes such as the floating dagger or the ghost of Banquo sitting in Macbeth’s chair at the banquet are rendered more accessible through the illustrations. Close-up views of facial expressions give clues to the characters’ feelings, qualities, and even their sanity. The black-and-white shaded art conveys changes in Macbeth’s personality throughout the story (softer and kinder at the beginning; more cunning and shadowed near the end), making the darker turns the story takes visible in a concrete way. While Shakespeare and manga may not seem like an obvious pairing, the illustrations here provide the visual entertainment and clarification that are integral aspects of enjoying a play.
Readers of the classics may become manga fans, and manga fans may find the world of classic literature opening up to them thanks to this creative adaptation. (cast, creators’ notes) (Graphic fiction. 12-18)Pub Date: Oct. 1, 2018
ISBN: 978-1-947808-08-9
Page Count: 300
Publisher: Manga Classics
Review Posted Online: Nov. 24, 2018
Another page-turning volume with intriguing character development.
The stakes skyrocket in this thrilling series continuation.
John, the school zero, finds himself growing closer to the boy who’s his polar opposite in their private school’s social hierarchy—but Arlo’s intentions may not be as pure as John’s. While John genuinely wants to befriend him, Arlo might be more interested in pushing John’s buttons in order to see whether he’s really as powerless as he claims. While John ultimately makes an irreversible decision, Seraphina makes her own momentous choice: She’s done being controlled by her family, and her friendship with John motivates her to follow through and persist until she’s free. Though they have an emotional, much-anticipated reunion, going back to school might not be so easy now that Seraphina is being targeted by a mysterious group who pose a serious threat to her life. The higher-ups in the school hierarchy start to suspect that there’s more to the militia group EMBER, who are targeting superheroes, than the press lets on. The complex characters are neither clearly good nor unambiguously evil, and their problems and the dangers they face escalate in this volume as relationships become more strained and complicated, bringing people to their breaking points. The bright, colorful illustrations bring to life this intense story, which features exciting pursuits and even more thrilling fight scenes. The art strongly expresses characters’ emotions, particularly during battles.
Another page-turning volume with intriguing character development. (extras) (Graphic adventure. 14-18)Pub Date: July 2, 2024
ISBN: 9780358521228
Page Count: 320
Publisher: HarperAlley
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
Shakespeare’s fantastical dream in an appealing format that can be shared with a wider audience.
Manga that brings to life Shakespeare’s classic romantic comedy.
This third entry in Manga Classics’ adaptations of Shakespeare’s plays maintains their practice of reproducing the full text of the original. The black-and-white illustrations allow readers to easily follow the plot while also picking up on subtle themes that are significant to understanding the play. For example, the abundant imagery surrounding the moon is emphasized by the moon’s presence in the backgrounds of many panels throughout the book, drawing readers’ attention. Long dialogues are also explained visually, which allows young readers to grasp what is being discussed without the need for a glossary or translation into modern English. The nobility is portrayed in a typical manga fashion with large eyes, small noses, and well-defined ears—but with appropriate Grecian clothing—while the commoners are easily visually distinguishable from them in style. The guide to reading manga at the beginning unfortunately describes the right-to-left reading order as “backwards from the normal books you know,” a strangely judgment-laden description for a book using manga to broaden the cultural exposure of young readers. However, the creators’ notes at the end offer fascinating insights into the adaptation process and may inspire budding manga artists to attempt their own works.
Shakespeare’s fantastical dream in an appealing format that can be shared with a wider audience. (cast, creators’ notes, character design sheet) (Graphic fiction. 12-18)Pub Date: April 16, 2019
ISBN: 978-1-947808-10-2
Page Count: 400
Publisher: Manga Classics
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
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