by William Shakespeare ; adapted by Crystal S. Chan ; illustrated by Julien Choy ‧ RELEASE DATE: Oct. 1, 2018
Readers of the classics may become manga fans, and manga fans may find the world of classic literature opening up to them...
This graphic-novel take on the Bard’s Macbethretains all of the original wording.
Chan’s (Romeo and Juliet, 2018, etc.) choice to use Shakespeare’s unabridged text makes the presence of the imagery all the more important. Illustrator Choy (Romeo and Juliet, 2018, etc.) stays true to traditional manga style, portraying the white European characters with large eyes and delicate facial features. The art allows for visual clarification, offering clues to help readers who might struggle without it: Scenes such as the floating dagger or the ghost of Banquo sitting in Macbeth’s chair at the banquet are rendered more accessible through the illustrations. Close-up views of facial expressions give clues to the characters’ feelings, qualities, and even their sanity. The black-and-white shaded art conveys changes in Macbeth’s personality throughout the story (softer and kinder at the beginning; more cunning and shadowed near the end), making the darker turns the story takes visible in a concrete way. While Shakespeare and manga may not seem like an obvious pairing, the illustrations here provide the visual entertainment and clarification that are integral aspects of enjoying a play.
Readers of the classics may become manga fans, and manga fans may find the world of classic literature opening up to them thanks to this creative adaptation. (cast, creators’ notes) (Graphic fiction. 12-18)Pub Date: Oct. 1, 2018
ISBN: 978-1-947808-08-9
Page Count: 300
Publisher: Manga Classics
Review Posted Online: Nov. 24, 2018
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by Cheng'en Wu ; adapted by Char A & Jim Zub ; illustrated by Julien Choy
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by uru-chan ; illustrated by uru-chan ‧ RELEASE DATE: July 2, 2024
Another page-turning volume with intriguing character development.
The stakes skyrocket in this thrilling series continuation.
John, the school zero, finds himself growing closer to the boy who’s his polar opposite in their private school’s social hierarchy—but Arlo’s intentions may not be as pure as John’s. While John genuinely wants to befriend him, Arlo might be more interested in pushing John’s buttons in order to see whether he’s really as powerless as he claims. While John ultimately makes an irreversible decision, Seraphina makes her own momentous choice: She’s done being controlled by her family, and her friendship with John motivates her to follow through and persist until she’s free. Though they have an emotional, much-anticipated reunion, going back to school might not be so easy now that Seraphina is being targeted by a mysterious group who pose a serious threat to her life. The higher-ups in the school hierarchy start to suspect that there’s more to the militia group EMBER, who are targeting superheroes, than the press lets on. The complex characters are neither clearly good nor unambiguously evil, and their problems and the dangers they face escalate in this volume as relationships become more strained and complicated, bringing people to their breaking points. The bright, colorful illustrations bring to life this intense story, which features exciting pursuits and even more thrilling fight scenes. The art strongly expresses characters’ emotions, particularly during battles.
Another page-turning volume with intriguing character development. (extras) (Graphic adventure. 14-18)Pub Date: July 2, 2024
ISBN: 9780358521228
Page Count: 320
Publisher: HarperAlley
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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by L.M. Montgomery & Crystal Chan ; illustrated by Kuma Chan ‧ RELEASE DATE: Sept. 1, 2020
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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