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PAST TO PRESENT

A REPORTER'S STORY OF WAR, SPIES, PEOPLE, AND POLITICS

Eloquent, bittersweet, memorable reflections.

A World War II Royal Navy fighter pilot turned journalist recalls a long, full life becoming a man of the world.

Born to a French mother and a father involved in secretive “special operations” during the war years, Stevenson (A Man Called Intrepid: The Incredible WWII Narrative of the Hero Whose Spy Network and Secret Diplomacy Changed the Course of History, 2009, etc.) grew up in East London dreaming about faraway places. At age 16, during the London Blitz, he volunteered at the British Navy office and gradually made his way through stages of assessment as a pilot; he recounts his adventures and poignant loss of buddies in short, punchy chapters. “Help me justify being alive,” he swore to the memory of lost comrades, and he decided to devote his life to the romantic idealism of his boyhood. In peacetime London, he got a job with Mercury News under Ian Fleming, who first informed him of an infamous man who shared his name, but with a different spelling: William Stephenson, who was well-known in British spy circles, and whom the author would later come to write about in A Man Called Intrepid. Stevenson relocated to Canada to work for the Toronto Star under the leadership of the enigmatic Harold Comfort Hindmarsh, or HCH, from whom he solicited approval for stories by submitting brief notes in his pigeonhole. The author was sent all over the world to cover exciting history-making moments (“HCH: Might it be worth confronting the killer of Leonid Trotsky in Mexico?”), and he records such encounters with Jawaharlal Nehru, Zhou Enlai, Mao Zedong, the young Dalai Lama, Ho Chi Minh (who impressed him mightily), Khrushchev and many others during his travels and documentary-making into Southeast Asia and Africa from the 1950s onward.

Eloquent, bittersweet, memorable reflections.

Pub Date: Sept. 4, 2012

ISBN: 978-0-7627-7370-1

Page Count: 272

Publisher: Lyons Press

Review Posted Online: July 4, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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