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MY AGRIPPA

LOVE, LOYALTY, AND THE FALL OF THE REPUBLIC

A meticulous account of a watershed event in ancient history from the perspectives of two less famous names.

Twersky’s historical novel chronicles the dawn of the Roman Empire.

The story begins in 45 B.C.E.: Marcus Vipsanius Agrippa is a young man traveling to Apollonia (in present-day Albania) with his friend Octavius and another boy named Rufus. The boys are there to study and learn the ways of the military. Octavius’ great-uncle is none other than Julius Caesar. The training goes well, but the next year, Caesar is assassinated, and the repercussions for Octavius are immense—he not only inherits Caesar’s estates, but he also officially becomes Caesar’s adopted son. As Octavius’ sister, Octavia, puts it, her little brother “thus became a major player on the Roman scene.” Octavius will go on to become Augustus, the first emperor of Rome. But for now, Caesar’s death has “created a power vacuum that was only filled by the fear that pervaded the streets of Rome and was perpetuated by the factions that vied for control.” Octavius and his friend Agrippa have their work cut out for them. Agrippa, who tells much of the story from his personal perspective, handles affairs in Gaul (present-day France) and Germany. He likes to settle things with diplomacy: “I preferred not to fight, but would if necessary.” As it turns out, there’s plenty of fighting to be done; one of Caesar’s old enemies, Sextus, commands a force at sea that is affecting grain shipments to Rome. Then there’s Roman general Marc Antony, who famously throws in his lot with the Egyptian pharaoh Cleopatra. Meanwhile, Octavia has her own views to share as she observes and comments on events, recalling a time when “The Forum was a cauldron of fury, the air choked with dust and the acrid scent of sweat and desperation.”

The narrative consists mostly of the first-person recollections of Agrippa and Octavia, with occasional letters and commentary from outside sources, like the “Testimony of a Sailor” who was on a ship with Sextus. Agrippa and Octavia witness much as the Roman Republic becomes an empire at the hands of someone they both know very well; sometimes, however, they merely state the obvious or make bland proclamations—for instance, when Agrippa is on a ship in 22 B.C.E., he remarks “I was thrilled to finally go back to Rome.” Octavia looks fondly on Agrippa’s financing of the construction of the Pantheon, as she feels he did it “not for [the] sake of rivalries or personal elevation, but for the sheer good of the people and city he loved.” Still, the text effectively illuminates the ways in which Agrippa in particular helped to shape Rome, even if his name is not widely remembered. (It’s Octavia who points out that, though Agrippa is “barely mentioned by the heralds,” his impact was immense.) Agrippa’s account reveals what he thinks of things like a monument that Augustus has built at Actium (in present-day Greece); Agrippa reflects that “here, at the very site where the Empire was shamelessly won,” Augustus’ monument “twists reality.” In 33 B.C.E., he observes that the Senate, “once the bastion of order and authority,” has become “a hotbed of strife and infighting that [rivals] the most heated brawls of the taverns.” The novel offers many such tantalizing looks at a fraught period of ancient Roman history.

A meticulous account of a watershed event in ancient history from the perspectives of two less famous names.

Pub Date: Dec. 2, 2025

ISBN: 9798999708816

Page Count: 317

Publisher: All Things That Matter Press

Review Posted Online: March 3, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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