A thriller that ably rakes through werewolf tropes in search of new territory.


Revenge of the Wolf


From the author of The Whaler Fortune (2014) comes a Victorian supernatural thriller about a good man coping with a science-born curse.

In London 1841, Dr. Moyer Phillips keeps a ferocious black wolf captive in his lab. As a member of the scholarly—and secret—Golden Serpent Society, the doctor dedicates his studies to controlling mental illness. His test subject is a wolf primarily because, like humans, the species maintains a social hierarchy. “Chemically, I have introduced a controlled insanity,” he tells his colleagues. One night, Phillips finds his wolf prone and unresponsive, so he examines the animal—and is bitten. Meanwhile, Cecil Griffiths arrives in Ramsbury Barlow, outside London, to find work and living arrangements. He’s taken on by the Breggins estate, where he befriends fellow worker Burney and a boy named Davey. Cecil makes even better connections through the church, including the Windham family: Graham, Cynthia, and their daughter, Marie. He’s invited to dinner on their sprawling farm, but the night is interrupted by the attack of a humanoid wolf. During the ensuing carnage, Cecil is wounded by the creature, and he later finds that his hearing and other senses have sharpened. As grisly murders begin seizing London, Cecil struggles to find the good in each day. Author Michael imbues his thriller with a trenchant darkness reminiscent of Poe and Lovecraft: “The God of this world,” Cecil tells Burney, “is not concerned with the affairs of man.” Michael’s flair for gory action is a force unto itself, as when a suspect is “stabbing and strangling with the madness of a blind animal.” Much of the prose uses Victorian wordiness, which sometimes hinders the narrative; a policeman says, “We are threshing all leads with paramountcy.” Otherwise, Michael squeezes 19th-century London for all the sordid creepiness he can, using dustmen, a psychic, and Highgate Cemetery to amplify his tale. That most of the victims are evil speaks to the theme of self-defined justice, and the finale is suitably explosive.

A thriller that ably rakes through werewolf tropes in search of new territory.

Pub Date: March 22, 2014

ISBN: 978-0-615-99596-0

Page Count: 338

Publisher: Alistair's Story Books

Review Posted Online: Aug. 31, 2015

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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A love letter to the power of books and friendship.

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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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