by Xu Xiaobin and translated by John Howard-Gibbon and Joanne Wang ‧ RELEASE DATE: Feb. 10, 2009
Lyrical, sometimes difficult, and engaging—an allusive, sidelong view of Chinese history by a writer who has seen many of...
A family epic—originally published in China in 1998—that winds its way across generations of Chinese history, not always coherently.
Transport Gabriel García Márquez’s Macondo across the Pacific, and you have some sense of the setting for Xiaobin’s allegorical, sometimes fantastical novel. It opens on a curious note, as young Yushe, sensible and sensitive, undergoes a lobotomy so that, her mother insists, she might “preserve the girl’s mental health and allow her to live out the rest of her life as a normal person.” Fortunately for the development of the novel, Yushe seems little worse for the wear, while her two sisters—two, naturally, being the requisite number of sisters in a fairy tale—have travails of different kinds. Xiaobin, a writer in her mid-50s who has published several books in the People’s Republic of China, sets Yushe’s adventures and misadventures against a broad canvas that begins at the end of the 19th century and the last years of the Qing Dynasty and that ends at the turn of the present century. As the tale moves across five generations, it is not always entirely clear where in time it is, and the Western reader may be challenged in keeping its 26 major characters and many more minor ones sorted out. (The dramatis personae at the end of the book is of some help.) Punctuating the text are closely observed scenes, as when one character, shot down by police, notices a car driving away “like a soaring bird whose flapping wings stirred up the filth and dust as it flew off through the still night.” More typical, though, are rather surrealistic moments—involving, in one instance, steamy sex without regard for the fine distinctions of gender but with inventive use of flowers—and aoristic, dreamlike episodes, the better, it appears, to disguise the author’s only partly subtle critique of the Chinese state at the time of the Tiananmen Square massacre.
Lyrical, sometimes difficult, and engaging—an allusive, sidelong view of Chinese history by a writer who has seen many of its darker moments.Pub Date: Feb. 10, 2009
ISBN: 978-1-4165-8380-6
Page Count: 384
Publisher: Atria
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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