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FEATHERED SERPENT

Lyrical, sometimes difficult, and engaging—an allusive, sidelong view of Chinese history by a writer who has seen many of...

A family epic—originally published in China in 1998—that winds its way across generations of Chinese history, not always coherently.

Transport Gabriel García Márquez’s Macondo across the Pacific, and you have some sense of the setting for Xiaobin’s allegorical, sometimes fantastical novel. It opens on a curious note, as young Yushe, sensible and sensitive, undergoes a lobotomy so that, her mother insists, she might “preserve the girl’s mental health and allow her to live out the rest of her life as a normal person.” Fortunately for the development of the novel, Yushe seems little worse for the wear, while her two sisters—two, naturally, being the requisite number of sisters in a fairy tale—have travails of different kinds. Xiaobin, a writer in her mid-50s who has published several books in the People’s Republic of China, sets Yushe’s adventures and misadventures against a broad canvas that begins at the end of the 19th century and the last years of the Qing Dynasty and that ends at the turn of the present century. As the tale moves across five generations, it is not always entirely clear where in time it is, and the Western reader may be challenged in keeping its 26 major characters and many more minor ones sorted out. (The dramatis personae at the end of the book is of some help.) Punctuating the text are closely observed scenes, as when one character, shot down by police, notices a car driving away “like a soaring bird whose flapping wings stirred up the filth and dust as it flew off through the still night.” More typical, though, are rather surrealistic moments—involving, in one instance, steamy sex without regard for the fine distinctions of gender but with inventive use of flowers—and aoristic, dreamlike episodes, the better, it appears, to disguise the author’s only partly subtle critique of the Chinese state at the time of the Tiananmen Square massacre.

Lyrical, sometimes difficult, and engaging—an allusive, sidelong view of Chinese history by a writer who has seen many of its darker moments.

Pub Date: Feb. 10, 2009

ISBN: 978-1-4165-8380-6

Page Count: 384

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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