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WE KILLED

THE RISE OF WOMEN IN AMERICAN COMEDY

A fresh topic explored in a unique, satisfying manner.

Marie Claire contributing editor Kohen uses Christopher Hitchens’ infamous 2007 Vanity Fair article “Why Women Aren’t Funny” as her pivot point for exploring the obstacles faced by women in the male-dominated comedy business.

The author traces the path of female comedians beginning in the 1950s with Phyllis Diller, “the prototypical female stand-up,” and “the mother of sketch comedy,” Elaine May, through the current lineup of popular female comedians such as Sarah Silverman, Tina Fey, Chelsea Handler, Aubrey Plaza and Emily Spivey. Kohen successfully weaves the stories into an entertaining timeline illustrating women’s increasing presence in American comedy. Writers, talent agents, club managers and comedians discuss a range of subjects, including the evolution of comedy styles, the role of TV, especially Saturday Night Live, and the different types of venues (including YouTube) and individuals who have helped or hindered women’s rise in the business. Kohen notes that during the 1970s, the hiring of female TV writers led to lively female characters, such as the women of The Mary Tyler Moore Show. This shift fostered a period of mentoring of women writers by “the powerful men who spent the decade transforming the sitcom,” including Norman Lear, Garry Marshall and Carl Reiner. Taken together, the interviews provide an inside look into the sometimes-turbulent relationships among the stand-up and sketch comedians, club owners, writers, producers and TV executives. Kohen intersperses illuminating bits of narrative among the oral history accounts, adding context and depth to her subject. “Stand-up is arguably the hardest form of comedy,” she writes. “There are no props, magic tricks, partners or music to fall back on. It’s just the comic, alone in front of the microphone under the spotlight. When they fail, they ‘die,’ when they succeed, they ‘kill.’ ”—as does this book.

A fresh topic explored in a unique, satisfying manner.

Pub Date: Oct. 16, 2012

ISBN: 978-0-374-28723-8

Page Count: 336

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: Aug. 5, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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