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WAR DIARY

A soberingly spare and humane record of disastrous events.

A noted Ukrainian-born artist and writer offers an eyewitness account of the Russian invasion of her country.

Though the Russian war against Ukraine began in early 2022, for Belorusets, it actually began in 2014 when Russia seized Crimea. As a journalist who was in the region when the conflict began, “I still remember the intense guilt I felt about being a guest in a catastrophe, a guest who could leave at will, because I lived somewhere else.” All that changed when shells fell on her city on Feb. 24, 2022. In the disjointed hours that followed, Belorusets could do little more than look “out the window and listen to check if the explosions were approaching,” endure the intermittent air raid sirens, and digest news reports of casualties that suddenly turned the abstraction of war “into something very concrete.” The diary that she began on that day and kept until she left Kyiv for Berlin in early April records how simple day-to-day activities—e.g., going to the few open grocery stores, restaurants, and coffee shops or gathering with friends and family anywhere in the city—became fraught with unimaginable possibilities for violence. Yet even in the face of evenings sometimes spent in bomb shelters, days spent walking among destroyed buildings, and musing on the fate of Ukrainians in other, more devastated cities like Mariupol, people continued to carry on, some with the belief that Ukraine would ultimately be “protected by the whole world.” The surreal circumstances Belorusets depicts, both in her writing and in the accompanying color photographs, set against the drama of war, are quietly disturbing. By showing how the war forced people to adapt to create any semblance of normalcy, she creates a compelling portrait of a nation under siege as well as the inspiring resilience of ordinary Ukrainians. The book is co-published by New Directions and ISOLARII.

A soberingly spare and humane record of disastrous events.

Pub Date: March 7, 2023

ISBN: 9780811234801

Page Count: 128

Publisher: New Directions

Review Posted Online: Dec. 26, 2022

Kirkus Reviews Issue: Feb. 1, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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