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WAR DIARY

A soberingly spare and humane record of disastrous events.

A noted Ukrainian-born artist and writer offers an eyewitness account of the Russian invasion of her country.

Though the Russian war against Ukraine began in early 2022, for Belorusets, it actually began in 2014 when Russia seized Crimea. As a journalist who was in the region when the conflict began, “I still remember the intense guilt I felt about being a guest in a catastrophe, a guest who could leave at will, because I lived somewhere else.” All that changed when shells fell on her city on Feb. 24, 2022. In the disjointed hours that followed, Belorusets could do little more than look “out the window and listen to check if the explosions were approaching,” endure the intermittent air raid sirens, and digest news reports of casualties that suddenly turned the abstraction of war “into something very concrete.” The diary that she began on that day and kept until she left Kyiv for Berlin in early April records how simple day-to-day activities—e.g., going to the few open grocery stores, restaurants, and coffee shops or gathering with friends and family anywhere in the city—became fraught with unimaginable possibilities for violence. Yet even in the face of evenings sometimes spent in bomb shelters, days spent walking among destroyed buildings, and musing on the fate of Ukrainians in other, more devastated cities like Mariupol, people continued to carry on, some with the belief that Ukraine would ultimately be “protected by the whole world.” The surreal circumstances Belorusets depicts, both in her writing and in the accompanying color photographs, set against the drama of war, are quietly disturbing. By showing how the war forced people to adapt to create any semblance of normalcy, she creates a compelling portrait of a nation under siege as well as the inspiring resilience of ordinary Ukrainians. The book is co-published by New Directions and ISOLARII.

A soberingly spare and humane record of disastrous events.

Pub Date: March 7, 2023

ISBN: 9780811234801

Page Count: 128

Publisher: New Directions

Review Posted Online: Dec. 26, 2022

Kirkus Reviews Issue: Feb. 1, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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