Warmhearted country romance, from the author of, most recently, Bebe’s By Golly Wow (2000).
Ain’t nothing like the real thing.
Terri Mills has it all: degree from Harvard, career at a prestigious law firm that includes high-stakes deal-making for the city of Chicago, and the perfect man: Derek Houser, a lawyer with a politician’s charisma. Being black meant being the best—and nothing’s ever slowed Terri down. But her Grandma Ollie, who raised her, has been seeing signs—and there’s no arguing with the old lady. Didn’t she foretell that her only daughter would die while giving birth to Terri, and didn’t it happen? Now that Terri and Derek are engaged, Grandma Ollie has to write their names in the old family Bible, but the pen runs out of ink before she can add Derek’s name. So she’s not surprised when Terri finds out that Derek’s been cheating on her and calls off the engagement. Then Grandma Ollie shatters her hip in a fall, and Terri goes back to Arkansas to care for her. The old woman floats in and out of consciousness and recalls her own lost love: Hank, a honey gatherer for a local farmer, the sweetest man she ever knew. But he had to disappear after the farmer tried to burn him to death in a barn, and Ollie married Wesley, another good man. Now, even when all hell breaks loose back in the city’s legal department, Terri stays on, soaking up the atmosphere and memories of the small town and learning more about her roots. Lynnwood Conway, a hospital volunteer, reads aloud to her grandmother, and Terri just melts at the sound of his deep voice. But can she really love a country boy like Lynnwood, who’s got nothing but a pickup truck and the farmhouse his parents left him?
Warmhearted country romance, from the author of, most recently, Bebe’s By Golly Wow (2000).Pub Date: March 10, 2003
ISBN: 0-525-94716-7
Page Count: 238
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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