Less mesmerizing than Wilder’s prose but similar in its simple sentences that convey big ideas.

LITTLE AUTHOR IN THE BIG WOODS

A BIOGRAPHY OF LAURA INGALLS WILDER

This condensation of the long, peripatetic life of Laura Ingalls Wilder will intrigue fans of the Little House series.

After scant pages of prologue and the early life of Wilder’s mother, the text begins a straightforward chronology with a mind-numbing parade of temporary homes, hardships and triumphs, and many, many descriptions of building construction. (No wonder Ma always seemed so tired.) Those who have read the Little House series will recognize names, places and incidents that went straight from Wilder’s memory into her novels—more so than most works of fiction, as the text notes. (Readers will eventually learn the reason: Wilder initially expected to publish an autobiography for adults). Quotes from Wilder are interspersed with facts about her life, and a few facts are noted as different from her fiction. Ironically, the text sometimes reads like a lifeless summary of episodes that sparkle in the novels. However, there is a noteworthy emphasis on literacy—especially for girls—and on the values of three generations of “strong, smart women.” Also, the biography extends Wilder’s life far beyond the chronological boundaries of her books and into her writing career, relationship with daughter Rose and final years. The illustrations are lovely pencil drawings that pay homage to Garth Williams’ work while maintaining originality.

Less mesmerizing than Wilder’s prose but similar in its simple sentences that convey big ideas. (author’s note, epilogue, craft project, recipes, list of books by Wilder, glossary, further reading) (Biography. 8-12)

Pub Date: Sept. 16, 2014

ISBN: 978-0-8050-9542-5

Page Count: 144

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is...

THE ENDLESS STEPPE

GROWING UP IN SIBERIA

To Esther Rudomin at eleven Siberia meant the metaphor: isolation, criminals and cruel punishment, snow and wolves; but even in Siberia there is satisfaction from making a friend of a prickly classmate, from seeing a Deanna Durbin movie four times, from earning and studying and eventually belonging.

Especially in Siberia, where not wolves but hunger and dirt and cold are endemic, where shabbiness and overcrowding are taken for granted, where unselfishness is exceptional. At the heart of Mrs. Hautzig's memoir of four years as a Polish deportee in Russia during World War II is not only hardihood and adaptability but uniquely a girl like any other. Abruptly seized in their comfortable home in Vilna, Esther and her family, are shipped in cattle cars to Rubtsovsk in the Altai Territory, work as slave laborers in a gypsum mine until amnesty, then are "permitted" lobs and lodging in the village--if someone will take them in. After sleeping on the floor, a wooden platform is very welcome; after sharing a room with two other families, a separate dung hut seems a homestead. Then Esther goes to school, the greatest boon, and, to her mother's horror, wants to be like the Siberians....Deprivation does not make Esther grim: the saddest day of her life is her father's departure for a labor brigade at the front, her sharpest bitterness is for the bland viciousness of individuals.

Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is a beautiful book with no bar to wide acceptance (and a rich non-juvenile jacket by Nonny Hogrogian). (Memoir. 8-12)

Pub Date: April 15, 1968

ISBN: 978-0-06-447027-8

Page Count: 256

Publisher: T.Y. Crowell

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: April 1, 1968

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Several unexpected connections, though Eurocentric overall and lacking in racial diversity.

HEAD TO HEAD

18 LINKED PORTRAITS OF PEOPLE WHO CHANGED THE WORLD

Renowned achievers go nose-to-nose on fold-out pages.

Mixing contemporary celebrities with historical figures, Corbineau pairs off his gallery of full-page portraits by theme, the images all reworked from photos or prints into cut-paper collages with highly saturated hues. Gandhi and Rosa Parks exemplify nonviolent protest; Mother Teresa and Angelina Jolie are (mostly) commended for their work with impoverished people; and a “common point” between Gutenberg and Mark Zuckerberg is that both revolutionized the ways we communicate. The portraits, on opposite ends of gatefolds, open to reveal short biographies flanking explanatory essays. Women and people of color are distinctly underrepresented. There are a few surprises, such as guillotined French playwright Olympe de Gouges, linked for her feminism with actress Emma Watson; extreme free-fall jumper Felix Baumgartner, paired with fellow aerialist record-seeker Amelia Earhart; and Nelson Mandela’s co–freedom fighter Jean Moulin, a leader of the French Resistance. In another departure from the usual run of inspirational panegyrics, Cornabas slips in the occasional provocative claim, noting that many countries considered Mandela’s African National Congress a terrorist organization and that Mother Teresa, believing that suffering was “a gift from God,” rarely gave her patients painkillers. Although perhaps only some of these subjects “changed the world” in any significant sense, all come off as admirable—for their ambition, strength of character, and drive.

Several unexpected connections, though Eurocentric overall and lacking in racial diversity. (map, timeline) (Collective biography. 8-11)

Pub Date: Nov. 28, 2021

ISBN: 978-0-7643-6226-2

Page Count: 84

Publisher: Schiffer

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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