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LITTLE AUTHOR IN THE BIG WOODS

A BIOGRAPHY OF LAURA INGALLS WILDER

Less mesmerizing than Wilder’s prose but similar in its simple sentences that convey big ideas.

This condensation of the long, peripatetic life of Laura Ingalls Wilder will intrigue fans of the Little House series.

After scant pages of prologue and the early life of Wilder’s mother, the text begins a straightforward chronology with a mind-numbing parade of temporary homes, hardships and triumphs, and many, many descriptions of building construction. (No wonder Ma always seemed so tired.) Those who have read the Little House series will recognize names, places and incidents that went straight from Wilder’s memory into her novels—more so than most works of fiction, as the text notes. (Readers will eventually learn the reason: Wilder initially expected to publish an autobiography for adults). Quotes from Wilder are interspersed with facts about her life, and a few facts are noted as different from her fiction. Ironically, the text sometimes reads like a lifeless summary of episodes that sparkle in the novels. However, there is a noteworthy emphasis on literacy—especially for girls—and on the values of three generations of “strong, smart women.” Also, the biography extends Wilder’s life far beyond the chronological boundaries of her books and into her writing career, relationship with daughter Rose and final years. The illustrations are lovely pencil drawings that pay homage to Garth Williams’ work while maintaining originality.

Less mesmerizing than Wilder’s prose but similar in its simple sentences that convey big ideas. (author’s note, epilogue, craft project, recipes, list of books by Wilder, glossary, further reading) (Biography. 8-12)

Pub Date: Sept. 16, 2014

ISBN: 978-0-8050-9542-5

Page Count: 144

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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BROWN GIRL DREAMING

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.

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  • Kirkus Reviews'
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  • Coretta Scott King Book Award Winner


  • National Book Award Winner


  • Newbery Honor Book

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

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OIL

Like oil itself, this is a book that needs to be handled with special care.

In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.

The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?

Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)

Pub Date: March 31, 2020

ISBN: 978-1-5344-3077-8

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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