Engrossing. Wuertz is an important new voice in American fiction.
An ambitious debut about power and family in South Korea with rich character portraits and a strong political heartbeat.
In her first novel, Wuertz traces the ambitions of four loosely connected students attending Seoul National University in 1978. There’s Jisun, a revolutionary at heart fighting for autonomy from her wealthy and influential father; Namin, a poor scholarship student struggling to bury her family’s past and lift them out of poverty; Sunam, a striver caught between the different futures these young women offer him; and Juno, an ingratiating social climber only interested in his own advancement. It’s no accident that the book opens—and closes—amid the clamor of protest, from striking textile workers roughed into police vans to a smoke bomb planted during a college graduation ceremony. Wuertz investigates a national crisis surrounding worker exploitation and upward mobility, the complicity of the rich, and the stifling indecision of the middle class. With deep sympathy and psychological insight, she demonstrates how a corrupt political regime bankrupts—literally and figuratively—the choices of her characters, pushing them to moral extremes. Namin is forced to choose between caretaking for her beloved disabled brother and raising her sister’s illegitimate son, while Sunam struggles with a bribe of unimaginable magnitude. Even spirited Jisun must negotiate for her freedom. To outsmart her controlling father, she chooses to give away her fortune to the legal funds of protesters. At the bank, she’s left with “an eerie feeling like stealing from a ghost, a fictional character with her name and identification number.” Jisun isn’t the only ghost walking in the pages of this book, which collects and mourns the forgotten, downtrodden souls these four must rescue or leap over in their race to the top. Wuertz’s book blooms in unexpected ways, eschewing a straightforward plot for more meandering paths. While the framework of the novel isn’t always tidy, the book is no less a significant representation of the politics of postwar hope and despair.
Engrossing. Wuertz is an important new voice in American fiction.Pub Date: Feb. 28, 2017
ISBN: 978-0-8129-9854-2
Page Count: 368
Publisher: Random House
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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