by Yunte Huang ‧ RELEASE DATE: Aug. 30, 2010
Multilayered, provocative and highly accessible, this will appeal to Chan fans, scholars and general readers.
China-born poet and critic Huang (English/Univ. of California, Santa Barbara/Transpacific Imaginations: History, Literature, Counterpoetics, 2008, etc.) recounts the making of an American folk hero.
Debuting as a minor character in novelist Earl Derr Biggers’ The House Without a Key (1925), Charlie Chan attained enormous popularity through six novels and nearly 50 films, as well as radio dramas and a comic strip, creating what the author calls a “tortured legacy in American culture, a legacy that at once endears and offends millions.” By the late ’40s, the genial, aphorism-spouting detective was firmly established as a funny, beloved figure, or as a Yellow Uncle Tom, depending on one’s point of view. In this original, deeply personal account, Huang illuminates every conceivable aspect of Chan and his place in American culture. His vibrant narrative tells the stories of Biggers, a newspaperman turned novelist, who created Chan as an alternative to Sax Rohmer’s villainous character Fu Manchu; Chang Apana, a legendary, crime-busting Chinese cop in Honolulu who wore a Panama hat, carried a bullwhip and became the real-life basis for Chan; and the fictional Chan, who entered American popular culture just as nativists succeeded in pushing through anti-Chinese immigrant legislation. Chan was played in hit movies by Swedish actor Warner Oland and others and has been vehemently dismissed in recent years as nothing more than a racial stereotype by author and playwright Frank Chin and other prominent Asian Americans. Huang takes a balanced view. Chan is a racist stereotype, he writes, but he is also a folk hero, exemplifying the “cultural miscegenation” that critic Stanley Crouch calls “the catalyst of the American experience.” The author makes a convincing case for Chan’s place in film history not as an Uncle Tom but rather as one in a line of wise detectives with eccentricities, including Sam Spade and Philip Marlowe. An appendix offers more than 50 “Charlie Chanisms.”
Multilayered, provocative and highly accessible, this will appeal to Chan fans, scholars and general readers.Pub Date: Aug. 30, 2010
ISBN: 978-0-393-06962-4
Page Count: 288
Publisher: Norton
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Wendy Holden ‧ RELEASE DATE: May 5, 2015
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...
The incredible true story of three Jewish women who survived the Holocaust.
Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”
An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.Pub Date: May 5, 2015
ISBN: 978-0-06-237025-9
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 28, 2015
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by Patricia Gucci with Wendy Holden
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