The Soviet space program is only half successful in Powers’ debut novel.
It’s 1964, and though the Russians have figured out how to launch their cosmonauts into space, they can’t figure out how to get them back down. In order to hide this frightening secret from the world—even from Premier Nikita Khrushchev himself—the space program, led by a man known only as the Chief Designer, recruits pairs of twins. One twin is trained to go into space, never to return, while the other prepares to play the returning hero and recite lines about what it feels like to be in zero gravity (“at first like falling…and then you float”). One of the left-behind twins, Leonid, begins to doubt the project as he’s whisked around on a press tour by Ignatius, a mysterious figure charged with keeping the fake cosmonauts in line. Despite the attempted intervention of Western spies, the coverup somehow holds together. But the Chief Designer runs out of twins before he figures out how to make a fully functional spacecraft. And what’s to become of the left-behind twins down on Earth, doomed to live lies? Powers’ writing style is delicate and almost otherworldly; as in his collection of stories, Gravity Changes (2017), each word is carefully chosen, every sentence deliberately flowing into the next. Unlike the stories in that collection, this novel feels more like it’s drifting through space than moving along a clear orbit. Even so, scenes centered on the characters’ emotional lives are touching, and the dreamy tone brings a touch of fantasy without pushing too far into whimsy.
A lovely and hopeful story from a promising writer.Pub Date: Aug. 6, 2019
ISBN: 978-0-525-53927-8
Page Count: 352
Publisher: Putnam
Review Posted Online: May 13, 2019
Kirkus Reviews Issue: June 1, 2019
Categories: LITERARY FICTION | HISTORICAL FICTION
Did you like this book?
BOOK REVIEW
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
GET IT
Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
Did you like this book?
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
GET IT
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 21, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: LITERARY FICTION | HISTORICAL FICTION
Did you like this book?
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2020 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
