Lovely and entertaining folklore and parables that can proudly stand beside others in their tradition.
Klein presents a collection of original Jewish parables for all ages, told in the tradition of rabbinic legends and folktales.
In “Yofiel,” one of the author’s contemporary rabbinic legends, archangels armed with colorful sticky notes flutter about and assign tasks among their brethren, ranging from stoking the Burning Bush to reminding geese which way to fly. Yofiel is an enthusiastic yet incompetent angel, not even to be trusted with a blade of grass, who nonetheless becomes the indispensable keeper of the Torah’s secrets. In “Jew,” a homeless man wipes away at the antisemitic graffiti with which a young boy has defaced the wall of a family-run shop; the swirls of his rag send the perpetrator and his classmate (who works there) into a world of glowing shields and laser rain, a living video game depicting crimes against Jews throughout the ages by Haman and the Nazis. In the title tale, another young boy sets off on a fantastical quest facing a giant and sea dragon— the only tools he will need to succeed are the modest hallmarks of Passover: a candle, a feather, and wooden spoon. The parables in this collection were inspired by the Torah, kabbalistic studies, and other Jewish teachings. The stories are short, yet deep and descriptive, with varied settings that span contemporary times, the forests and villages of European folklore, and the time of the Hebrew Bible. Approachable for adults yet told with children in mind, each story is full of wide-eyed curiosity and earnestness, along with comedy, light scares, and lessons on compassion, empathy, and acceptance of the marginalized or derided. Young minds may wonder, “How was Jonah’s journey for the whale?” or “What did children see during the Exodus?” These questions are enthusiastically explored, and each entry ends with simple yet insightful queries for the reader as well. Though primarily aimed at a Jewish audience, the book contains a small, helpful glossary of terms, and Klein’s approachable style and enthusiasm for storytelling will appeal to readers from all backgrounds.
Lovely and entertaining folklore and parables that can proudly stand beside others in their tradition.Pub Date: May 1, 2023
ISBN: 9780881233568
Page Count: 240
Publisher: Central Conference of American Rabbis Press
Review Posted Online: April 18, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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