Flawed but lively.
Love-crazed 2,500-year-old ghosts prompt a discovery that shakes biblical scholarship to its foundations in Rabbi Klein’s far-fetched but zesty debut.
American archeologist Page Brookstone is burnt out. She’s labored for 12 years in a Jerusalem dig, unearthing jarred infant mummies. Her supervisor, Norris, has been harassing her ever since she rebuffed his drunken pass. So when Palestinian attorney Ibrahim Barakat appeals to her to investigate some scandalous otherworldly goings-on, Page can’t resist. The Barakat bungalow is located in Anata, birthplace of the sixth-century BCE doom-saying prophet Jeremiah. There, Page sees visions in kitchen steam of two figures embracing. Through a gaping hole Ibrahim dug in the living-room floor, she spots an underground chamber, its walls bedecked with frescos depicting Jeremiah’s life. Then, an even more incredible find: the burial crypt of Jeremiah. His bones are intertwined with a smaller skeleton, that of servant maid Anatiya, whose tell-all diary, inscribed on a scroll, turns up nearby. The Israeli government takes charge of the remains while Jewish, Christian and Muslim fundamentalists decry the tomb’s desecration. Soon Norris wrests the project from Page’s hands, forming a consortium to translate Anatiya’s scroll. Page digitally photographs the handmaid’s scroll, uploading it to her laptop. Back in the States, she enlists a female translator friend to render the text before the all-male committee puts its stamp on Anatiya and distorts her message, namely that her irrepressible love transformed even pessimism poster prophet Jeremiah. Will Page find love with Mortichai, a half-Irish Orthodox Jew who’s already engaged and is, in theory at least, opposed to grave robbing, even in the name of science? Will Anatiya finally have her say, countering the overwhelming patriarchal bias of the Bible? Even when narrator Page is at her whiniest, and Anitaya’s journal waxes most anachronistically New-Agey, these questions spur intrigue, though the finale devolves into a standard women-in-jeopardy melodrama.
Flawed but lively.Pub Date: July 1, 2009
ISBN: 978-1-4165-9912-8
Page Count: 368
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
BOOK REVIEW
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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