No less a savage indictment of rural English life than was its predecessor (ULVERTON, 1992), Thorpe’s newest epic is at once more personal and more profound as it details the mysteries and tragedies of a child born in Africa and transported to his uncle’s house in England for schooling. In his old age he discovers the mindbending truth about his past. Young Hugh Arkwright’s memories of interior Africa—where after WWI his father served as a minion of the British Empire in a rotting outpost squeezed between a dark river and a darker jungle—were memories anyone might have of home and a pleasant childhood. Only when packed off to creepy Uncle Edward’s cold stone manor, bereft of his parents and pining for the warmth and wonder of Africa as revealed to him by one of the native servants, does Hugh’s vision darken—and, literally, an eye already weakened by malarial fever fail him completely. After a few years of brutal public school, Edward’s peculiar pantheistic views are lightened only by his mother’s brief visits in summer, but then, just as he’s recovering one winter from a bout of pneumonia, he has dreadful news of her: she walked into the jungle and vanished. Much later Hugh, long a well-known director of classical theater, comes back as an old man to that house in the west of England, having inherited it following the death of Edward’s much younger wife. He finds in the attic a trunk that when he pries it open proves to be a Pandora’s box. From the institution where he’s been placed after his subsequent breakdown Hugh recounts, in a series of painful but therapy-related letters to his long-lost mother, the whole tawdry tale of his one love, the murder he was believed to have committed, and his shock at learning who he really is. Plot details don’t do this eerie, mood-laced saga justice, but driving the novel along with the central mystery, skillfully suspended, is as somber and compelling a view of folklore and folkways as has been seen in fiction in some time.
Pub Date: Jan. 1, 2000
ISBN: 0-7867-0661-9
Page Count: 488
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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