Goofy academic struggles for those who need a break in the faculty lounge.
A comical novel about life at a zany community college, from debut author Pearson.
When Charlie gets the job of special projects coordinator at Cow Eye Community College, he’s not quite sure what to expect, especially after his bizarre phone interview: “Several questions concerned my relevant experience in highly divisive work environments and how I might resolve a series of hypothetical conflicts—for example, what I would do if one of my colleagues tried to sever the head of a key administrator.” Nevertheless, after a long bus ride to the town of Cow Eye Junction, Charlie is met by the man in charge, Dr. Felch. Charlie, he’s told, is replacing the last special projects coordinator, who had “countless awards and commendations. References from the Queen of England and Archduke of Canterbury” (though she turned out to be an “unmitigated disaster”). His goals seem relatively simple: ensure that the school maintains accreditation and plan the annual Christmas party. Unfortunately, those directives are anything but. The constantly feuding, eccentric faculty doesn’t help. Sam Middleton, a medieval poetry expert, is a “card-carrying institutional anarchist,” while Alan Long River, the public speaking teacher, “hadn’t spoken a word to anybody at the college—his students included—for more than twelve years.” Bureaucracy rules the school, and opportunities for conflict and adventure are many, including a team-building exercise in which new hires must castrate a calf and heated focus groups; one of the institutional researchers has “been very adamant that no educational endeavor should be attempted without first conducting a focus group or a survey of some kind.” Whether or not this mix proves humorous depends on the reader’s patience for tongue-in-cheek jokes about backwardness (“the unfamiliar voice belonged to the college’s tenured negroid’”) and adjunct professors (“We’re not allowed to refer to them by name”). Ambitious in its creation of this kooky world, the book will certainly strike a chord with readers lost in their own wacky arenas of academic bickering. Others may be bored by lengthy orientation sessions and party planning, as with the seating arrangement for the Christmas party: “We’ve also made sure to bring them together politically, economically, and ethnically. In each group there will be at least one laissez-faire capitalist and one left-leaning socialist. One centrist and one anarchist. One tenured faculty member and one who is non-tenured. One white, one Asian. A lumper and a splitter. A Catholic and a Protestant. Sikh and Hindu. Jew and jihadist. Social scientist and actual scientist. Vegetarian and anti-vegetarian.”
Goofy academic struggles for those who need a break in the faculty lounge.Pub Date: April 15, 2015
ISBN: 978-0990915027
Page Count: 540
Publisher: Cow Eye Press
Review Posted Online: Jan. 26, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
