A disaffected Hollywood megastar flees from L.A. and the movie he's making to seek refuge in a Vermont haven for kindred spirits- -in UCLA film graduate Sahgal's first, distressingly feeble novel. Emery Roberts arrives unannounced at Jeremiah's hideaway with his sidekick, the camcorder-toting Danny, having decamped from the set in secret after breaking up with his lover/manager Danielle. The house is a mess due to renovations, with a full complement of misfits in residence: Nathan the red-hot screenwriter, interested only in building a pool for himself by hand and in eradicating the population of snapping turtles in Jeremiah's lake; Louis the ex- talent agent, drinking his way through nights and days while his ambitious actress girlfriend sleeps her way to the top; and Anne, Jeremiah's sister, no less dissipated than the rest but ready to offer solace to Emery in his near-catatonic state of loneliness. Hollywood soon catches wind of the errant star's whereabouts, prompting a visit from his producer—who happens to be Jeremiah's father—and Danielle, but when they fail to persuade Emery to return to the movie, they bring the movie to him. In between binges, backbiting, and bouts of pool-digging, the filming continues, with the star once again compliant; and by the time the shoot is finished, his career is back on track—with no one the wiser, or especially interested, as to why. A dialogue-driven brat-pack clone without the bile: a vapid trashing of Tinseltown types achieving the dubious honor of being even more inconsequential than the feckless, shallow characters it depicts.
Pub Date: Jan. 1, 1994
ISBN: 0-87113-559-0
Page Count: 224
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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