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THE SPELL

Like The Swimming Pool Library (1988) and The Folding Star (1994), Hollinghurst’s third attempts an ambitious exploration of gay male experiences and relationships. Each of four principal characters muddles along (in London and environs) professionally, socially, and romantically, in the grip of his own distinctive obsession (or “spell”). Late-40ish architect Robin Woodfield, mourning the death from AIDS of his lover Simon, seeks another erotic counterpart to “the secret technical joy he had always got from buildings.” Robin’s younger new lover Justin is a campy flibbertigibbet who’s less attentive either to Robin or to his own ex, Alex, than to the sybaritic freedom gained when he comes into a huge inheritance. Alex, a gentle and passive soul who works for the Foreign Office, is betrayed repeatedly by his naive dream of perfect love—most cruelly by Robin’s son Danny, a heedlessly beautiful youth driven by his “blind desire to know the world through sex.” Moving confidently (if at times lugubriously) among their several viewpoints, Hollinghurst brings these four (and also acquaintances such as the handsome young workingman who plays them all expertly) into and out of varying degrees of intimacy and commitment, dramatized most successfully in several crisply observed scenes that include the comic saturnalia of Danny’s 23rd party, a tea-party discussion of campanology (the subtext of which is, predictably, sex), and, especially, Robin’s uncomfortable conversation with an intense young evangelist who claims to have channeled the spirit of Sir Arthur Conan Doyle. More such scenes would have helped, since the minimal comic relief provided by Justin’s bitchy wit is vitiated by our growing understanding of his essential shallowness and selfishness. This is, in fact, never less than honest and realistic; but it feels limited and insular to the extent that its characters seem defined—and limited—by their sexual natures. A near miss: Hollinghurst can do better. (Book-of-the-Month selection)

Pub Date: April 26, 1999

ISBN: 0-670-88356-5

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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