A book that will likely hold the interest of cycling enthusiasts despite serious flaws.
In Hutchinson’s (Twisted Trails, 2015) short novel, a teenager struggles with the sullied legacy of his athlete father.
Andrew Gamble was the most successful professional cyclist the sport had ever seen, a living legend. His fame crumbled into infamy, though, when he was caught in a scandal involving performance-enhancing drugs while competing in France. Instead of facing up to his mistake, Gamble fled, abandoning his wife and 12-year-old son, Connor; he then disappeared without a trace. Connor was taken in by his uncle, Neal, the owner of a well-known bicycle shop called Modest Cycles. Five years later, Connor has taken up cycling despite the long shadow of his father’s notoriety. The sport is apparently in Connor’s blood, and he enthusiastically commits to it; he also becomes obsessed with a talented, masked rider whom he’s convinced is his father (“a masked man who wins races but never shows up for the prize”). Meanwhile, Darwin Camot, an author famous for a bestselling book about cycling, is sentenced to community service after a run-in with the law, and he tries to use this misstep as an opportunity to reform a wayward life. Hutchinson writes with a deep love and knowledge of the sport and vividly brings MacAskill, Rhode Island, to life—a fictional small town essentially founded by and for cycling devotees. But although the narrative is structured around the sport, the principal themes transcend it; in different ways, both Connor and Darwin are in search of elusive redemption. This is a very brief work—more a novella than a full-fledged novel—and the story unfolds too quickly for it to develop more than a patina of emotional authenticity. Connor’s angst rings truest, as he paradoxically tries to emulate a father whom he holds in contempt: “ ‘My dad's not innocent,’ Connor confessed. ‘He was a cheater and a drug user. The Feds think he fled to Mexico. I hope he never comes back.’ ” However, the remaining characters seem underdeveloped, and although Andrew is, in many ways, the fulcrum of the whole tale, he frustratingly remains an enigma. Overall, the book wonderfully depicts its sport, but it falls short as both mystery and emotional drama.
A book that will likely hold the interest of cycling enthusiasts despite serious flaws.Pub Date: Aug. 27, 2016
ISBN: 978-0-692-76335-3
Page Count: 134
Publisher: Twisted Books
Review Posted Online: Sept. 19, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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