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BELLE GREENE

An engaging story about a brilliant woman who risks everything.

In this fictionalization of a true story, a young Black woman named Belle da Costa Green passes for White and rises to become the first director of J.P. Morgan’s library.

In this extensively researched historical novel, we see Belle from the time she’s a young woman born Belle Greener, daughter of the first Black man to graduate from Harvard. After he abandons his family, Belle makes a pact with her mother and siblings to change their surname and pass for White. They swear secrecy. None will have children, for fear of being found out: “Six irrevocably intertwined fates, and if any one of them were to fall short, it would bring the others down with it.” Brilliant, bookish, and unsentimental, Belle gets a job at the Princeton library, where she meets Junius Spencer Morgan and eventually finds her way to his uncle J.P., who’s looking for someone to oversee his new project. Belle’s literary expertise helps her secure Morgan’s trust, and he rewards her with the responsibility of shaping the library’s collection. Belle closes herself off to thoughts of her heritage or her former life. Her focus on success remains singular. Morgan is mercurial and possessive. Belle is formidable. She’s torn by twin feelings: “the intoxication of feeling herself to be free, and the frustration of having to submit to the tyranny of her master.” Eventually, Morgan sends her to Europe to bid on items at auction; the library is entirely hers to shape. Yet she’s aware at all times that she has “a career based entirely on the protection of an individual more rich and powerful than [herself].” Tension builds as Belle tries to avoid losing the career that supports her family. As she tries to outbid the other collectors of the day in a new world that’s full of wealth and eager to grab up the world’s treasures, she presents a carefully shaped persona. She adopts a new background because she believes it’s the only way to succeed in a broken system. Passing for White puts Belle’s life at risk every day. She’s consumed by the library and her secret; scenes with her real-life historical counterparts are fleshed out with dialogue drawn from primary sources such as letters. Occasionally these conversations feel stilted, but Belle's story is so exceptional that readers won’t mind.

An engaging story about a brilliant woman who risks everything.

Pub Date: June 14, 2022

ISBN: 978-1-60945-758-7

Page Count: 480

Publisher: Europa Editions

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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