The earnest, prone-to-ramble Ripley—of the oft-panned Scarlett, the sequel to Gone with the Wind, plus many others- -tackles a challenging, somewhat obscure subject here with distinctly mixed results. The first three-quarters of this epic comprise a carefully researched, minutely detailed and imaginatively conceived (it is, after all, fictional) ``biography'' of Joseph of Arimathea, the man who gave his burial site for the crucified Jesus of Nazareth and is credited with spreading Christianity to England and beyond. From the opening, when Joseph—a Jew and the son of a farmer—dreams as a 12-year-old of life as a traveler, then eventually marries his childhood companion Sarah, and still later goes on to highly successful business ventures transporting tin from far-off lands to King Herod's castles at Caesarea, Ripley is in control of her material and tells a gripping tale of an unfamiliar time with only a few lapses into anachronistic language. But the last quarter of the story—in which Joseph must face the aftermath of his friendship with the emperor Augustus (whom he befriended via Herod), the evil machinations of Sejanus the Jew Hater, the trials of Herod's son Herod Agrippa, the deaths of his beloved Sarah and wise old grandmother Rebekkah, the miseries of his only daughter Ella (who was born with useless legs)—moves at a ludicrously fast pace, as though the author realized at end that she still had a great deal of ground to cover. As a result, when Joseph finally encounters Jesus of Nazareth, who heals Ella's legs with a single kind phrase and begins his crucial mission of conversion, his words and newfound beliefs have more the superficial tone of the modern- day televangelist than they do the ringing certainties of a true believer. More detail about Joseph and his time—real and imagined—than many may have imagined wanting, but with the significant exception of her weakened conclusion, Ripley makes this informative read also entertaining. (Author tour)
Pub Date: Sept. 19, 1996
ISBN: 0-446-51691-0
Page Count: 704
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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