Slim pickings from the turn-of-the-century North Carolina tobacco industry, by the author of Scarlett (not reviewed) and a slew of other Southern-fried fiction (New Orleans Legacy, 1987, etc.). Nate Richardson is a virile and promiscuous 18-year-old tobacco farmer who falls in lust with Lily Gaskins, the coquette who marries his preacher brother, Gideon. The newlyweds move far away, enabling Nate to focus on his big plan to take over the burgeoning cigarette industry. A crucial part of his project involves wresting the patent for a revolutionary new cigarette- rolling machine from its doddering inventor, but the machine's price tag is high: Nate must marry the inventor's granddaughter, Francesca (Chess) Standish, and promise to give her children. Chess's head for books and figures serves charming front-man Nate well; the two are happy as partners, and business takes off. Nate's tobacco is the most golden and the tastiest; the machine he builds is better than that of the competition. His family quickly goes from picking worms off tobacco leaves to selecting fine clothing and furnishings for their nouveau-riche mansions. Although she loves him, Chess and Nate both remain dissatisfied with their sex life, which comes and goes in quick, cold spurts. Nate keeps mistresses, including Lily. Chess raises their daughter and doesn't know what she's missing until she meets her cousin Lord Randall Standish on a trip to London. Nate, busy selling cigarettes to the Brits, doesn't notice that Chess falls rapturously into the lord's arms, where she learns the pleasures of the flesh. Returning to America, they learn that Lily's next child may be Nate's and that Lord Randall wants Chess back; the couple must decide whether to dissolve the partnership or fall in love. Unfortunately, Ripley provides little conflict, no subplots, and holds off on the steamy scenes until much too late in the book. A paperback original spilling out of its hardcover corset.
Pub Date: Nov. 25, 1994
ISBN: 0-446-51406-3
Page Count: 496
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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