It's back to San Francisco and the genteel, graceful life—undermined this time by dark desire and disease—for the prolific Adams (A Southern Exposure, 1995, etc.), whose tenth novel is a virtual catalogue of physicians' moral flaws. Cock-of-the-walk Dr. Raleigh Sanderson, the city's preeminent heart surgeon, thinks nothing of ignoring his grandchildren, keeping a beautiful mistress, and boffing nurses as necessary to relieve his post-op erections; big-toothed Dr. Dave Jacobs, a widower, believes in total domination of the woman he's with; Dr. Mark Stiner, after driving his long-suffering wife to drink (as Dr. Sanderson has), takes up with a colleague. But the focus isn't really on these manly specimens, or even on their spouses, but instead on a couple of women, Molly and Felicia, best friends who have the great shared misfortune of being involved with medicine's finest. For Molly, divorced and widowed, the connection with Dr. Dave begins just as she falls ill, and her dependence on him grows when it's discovered that she has a golfball-sized tumor in her sinuses. He soon comes to dominate her every moment, until by skipping out on her last radiation treatment (and on Dr. Dave), she reasserts control of her life. Felicia, Dr. Raleigh's mistress, is utterly infatuated with the surgeon for a time, but when he hits her for stepping out on him she drops him cold. He stalks her, creeping nightly around her house, until he is foiled finally by her new man. Woven among with these two primary relationships are a host of lesser connections, of ex-wives to former husbands or lovers, brothers to others, creating an intimacy that often seems to flirt with the incestuous. But this is Adams's stock in trade, and her skill at sustaining an entre-nous point of view remains superb, leaving the reader flattered by the author's confidence, if a little uncertain as to her aims.
Pub Date: April 15, 1997
ISBN: 0517269309
Page Count: -
Publisher: Knopf
Review Posted Online: March 15, 2012
Kirkus Reviews Issue: March 1, 1997
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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