An illuminating study on the role women play in the media and in their own lives.

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DEAD GIRLS

ESSAYS ON SURVIVING AN AMERICAN OBSESSION

In this engrossing debut collection of essays, Bolin (Creative Nonfiction/Univ. of Memphis) looks at two things: America’s cultural obsession with dead girls in works of literature and on TV and Los Angeles from the perspective of both a newcomer and a veteran.

“Our refusal to address warning signs that are so common they have become cliché means we are not failing to prevent violence but choosing not to,” writes the author, the former nonfiction editor of Electric Literature’s literary magazine, Okey-Panky. In fact, according to Bolin, Americans demonstrate a specific fascination with watching women die on screen, seeing them lose control over their lives to abusive husbands and societies, and, most crucially to her story, investigating the circumstances around their murders. To study these phenomena, the author explores shows like Twin Peaks, True Detectives, and Pretty Little Liars, among others. “If you watch enough hours of murder shows,” she writes, “you experience a peculiar sense of déjà vu…the same murders are recounted again and again across shows.” Interwoven with these analyses of pop culture is the story of the author’s arrival in LA, broke, friendless, and with not much awareness of life under the sunny Californian sky. She drew many impressions of the city from the work of Joan Didion and Raymond Chandler, among others, who have painted a picture of a unique, bewildering city: “I was impressed by the unnerving sense of a city that sprang up overnight and sprawled like an invasive species over the landscape.” Bolin’s LA story becomes exemplary of her insights about female-obsession culture, from her wacky roommates to her boyfriends to her eventual private and public writing practices. The author’s voice is eerily enthralling, systematically on point, and quite funny, though at times readers may not fully understand the motives behind their laughter.

An illuminating study on the role women play in the media and in their own lives.

Pub Date: June 26, 2018

ISBN: 978-0-06-265714-5

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: April 4, 2018

Kirkus Reviews Issue: April 15, 2018

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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