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BLUE DIARY

A welcome return to top form by a gifted, popular author.

A small-town hero with a criminal past raises unsettling questions about guilt and trust, in this unsparing new novel by Hoffman (The River King, 2000, etc.).

Everyone in Monroe, Massachusetts, adores Ethan Ford. He’s the town’s most reliable contractor, a supportive Little League coach, and a life-saving member of the volunteer fire department. He and his wife of 13 years, Jorie, are still so in love that they’ve tumbled back into bed on the June morning when the local sheriff rings the bell to arrest him on a 15-year-old murder charge. Ethan freely admits it. “The way he sees it the truth is a simple thing: He is not the same man any more.” The self-obsessed, violent drifter who raped and killed Rachel Morris became another person after that night, asserts Ethan, and enough people in Monroe agree to form an ardent defense committee, including sexy Rosarie Williams, casual breaker of teenage boys’ hearts, who thinks Ethan is her dream lover. But Rosarie’s 12-year-old sister, Kat, who recognized Ethan’s photo on TV and turned him in, is not the only person who thinks guilt can’t be shed so easily. His son, Collie, doesn’t even want to see him, and Jorie reels from the knowledge that her life has been founded on a lie. When she goes to Maryland to confront what Ethan did, the victim’s bitter younger brother reminds her, “My sister never had the chance to be a different woman” and gives her Rachel’s blue diary to drive home his point. Ethan’s claims of repentance and redemption come to seem much too glib as Hoffman skillfully spins a disciplined narrative (the whimsy and the descriptions of nature for once held in check) focused on the struggles of Monroe’s stunned residents to make sense of this abrupt fissure in their accepted reality. Hopeful developments for the strong supporting characters prevent the story from seeming entirely grim, but the final decisions made by Jorie and others suggest that forgiveness should not be lightly given—or requested.

A welcome return to top form by a gifted, popular author.

Pub Date: Aug. 1, 2001

ISBN: 0-399-14802-7

Page Count: 336

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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