Lilting prose, beautifully meted out folklore and historical references, and Hoffman’s deep conviction in her characters...

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THE MARRIAGE OF OPPOSITES

A ghost wife, a stolen child, wandering eyes, hidden ledgers—and more—bind the 19th-century Jewish community on a paradisiacal island in the West Indies.

To this marvelous mise-en-scène, Hoffman (The Museum of Extraordinary Things, 2014, etc.) adds a historical character: Rachel Manzana Pomié, the Creole mother of impressionist painter Jacob Abraham Camille Pissarro. Descended from Spanish and Portuguese Jews who “knew when to depart even when it meant leaving worldly goods behind,” Hoffman’s Rachel nurses a grudge as bitter as the fruit of the apple tree her grandparents toted to the Antilles when they fled France: that her mother, Mme. Pomié, favors the nephew she adopted as a baby over her own child. “Girls were not worth very much in her eyes, especially a disobedient girl.” With her friend Jestine—the mixed-blood child of the family cook—Rachel keeps a lookout for turtle girls (mermaids with shells) and, aping the French fabulist Charles Perrault, chats up the market women for “small miracles common only in our country” to tell when she finally gets to Paris. “My mother didn’t like this sort of talk; people of our faith didn’t believe in past lives or spirits.” Faith leaves Rachel as well when her father arranges a match to a business associate twice her age, who dies, trapping her on the island with seven children; she’s shunned by her synagogue when she falls into bed with a young relative of her late husband who arrives from Paris to settle the books: “The good man and the enchantress. Some people said I was made of molasses; one bite and you couldn’t get enough.” Wearing “haint blue” to chase ghosts won’t bring back the luck she gave away to her old friend Jestine when she needed it. But her youngest, Jacobo, whose sketches and open manner charm even tight-lipped members of the synagogue’s sisterhood, just might.

Lilting prose, beautifully meted out folklore and historical references, and Hoffman’s deep conviction in her characters (especially those “willing to do anything for love”) make reading this “contes du temps passé” a total pleasure.

Pub Date: Aug. 4, 2015

ISBN: 978-1-4516-9359-1

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: June 1, 2015

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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