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THE THIRD ANGEL

Some moving material about love and loss, swamped by authorial excess.

A ghost in a down-at-the-heels London hotel ties together three tragic romances in Hoffman’s latest (Skylight Confessions, 2007, etc.).

Though all three episodes are strongly conceived with complex characters, the connecting material includes carelessly repetitive plot devices (warring sisters, cancer-stricken mothers), highly improbable links among the major figures and a seriously overused blue heron. The “third angel” metaphor is also heavy-handed, but at least has a tangible connection to the plot. In addition to the Angel of Life and the Angel of Death, Dr. Lewis tells his daughter Frieda, there’s a Third Angel, “who walked among us, who sometimes lay sick in bed, begging for human compassion.” Frieda passes along this insight to Allie, who marries Frieda’s dying son Paul during the summer of 1999 in the novel’s first section. Though Allie’s furiously jealous younger sister Maddy does everything she can to destroy the wedding—including sleeping with Paul, who’s trying to convince his fiancée that he doesn’t deserve her—nothing can kill the love that blossoms in Allie as Paul’s illness grows mortal. Section two moves back to 1966, when 19-year-old Frieda has fled her father’s plans for her to become a doctor and gone to work as a maid at the Lion Park Hotel. Frieda falls in love with Jamie, the junkie rock star in Room 708, and writes him two songs: “The Third Angel” and “The Ghost of Michael Macklin.” The latter is about the specter introduced in the book’s opening pages, when Maddy hears shouting in Room 707 and learns that something terrible happened there in 1952. In fact, it was Maddy and Allie’s mother, then 12 years old, who witnessed the incident that created the ghost, an outgrowth of yet another doomed wedding. The particulars are recounted in the closing section, which features another cluster of full-bodied characters. By now, however, the piling up of disasters and coincidences has become ridiculous.

Some moving material about love and loss, swamped by authorial excess.

Pub Date: April 1, 2008

ISBN: 978-0-307-39385-2

Page Count: 288

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2008

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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