A carefully wrought take on death, love, and other profundities in a small town tries but fails to move or matter. In structure and language, McGhee's debut is more a prose portrait than a conventional novel. Various figures mourning the death of one man, Starr Williams, express their memories and responses to his death in evocative fragmentsfragments that, rather than a sustained narrative, cumulatively work to create an elegiac mood of healing and acceptance. When 30-year-old Starr dies trying to save Johnny, a retarded boy (and his unacknowledged son), from an oncoming truck, the people who've loved Starr react to his death in different ways. Crystal, Johnny's waitress mother, who saw the accident from the diner where she works, is the most philosophical about Starr's deathbut then he'd moved out of her life 12 years earlier when he left her pregnant and went off with Lucia, whom he later married. Crystal gave birth to Johnny alone in her trailer and has passed him off as her nephew. Lucia, meanwhile, not only mourns Starr but also her parents, who were killed when she was three; Tim, Starr's art-teacher father who has some bittersweet secrets of his own, is still grieving for his wife Georgia, who died in a car crash on a nearby mountain road a few years back; and nine-year-old Mallie, Starr and Lucia's daughter, overly imaginative and obsessed with ritual, believes its her fault he died because she failed to hug him that day. She hides Starr's ashes, keeps lists about him, and, desperately believing in reincarnation, on a visit to China with Tim looks for Starr in every Chinese baby she sees. As the months pass, secrets are shared, hurts forgiven, and life without Starr, even for Mallie, becomes more bearable. Less-than-credible charactersStarr being the most unconvincingremember and forgive in anodyne ways in a debut that, for all its evocations of feeling, remains emotionally dry-eyed.
Pub Date: March 1, 1998
ISBN: 1-57601-006-6
Page Count: 200
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...
When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.
Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.Pub Date: May 1, 2001
ISBN: 0-399-14861-2
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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