A good portrait of an often-overlooked period, Massie’s account takes a you-are-there approach that ends up feeling more...
The first of a planned historical trilogy is set in the last days of the Roman Empire as Massie (Tiberius, 1993, etc.) follows the wanderings of a young nobleman in service to the Emperor.
The fifth century was not the best time to be a Roman: the new state religion of Christianity was riven with squabbling factions, the Empire overextended, the state treasury constantly on the verge of bankruptcy, the barbarian hordes invading with a vengeance. Our hero Marcus, like most noblemen of the period, was caught between two worlds in his attempts to serve the precepts of the Church while preserving the ancient Roman imperium. A descendent of Mark Antony on his mother’s side and St. Michael the Archangel on his father’s, Marcus was an embodiment of the new order as well as the old: proud, chaste, loyal, and God-fearing. Sent by the Emperor Honorius to deliver an ultimatum to the invading King Alaric of the Visigoths, Marcus fails as an ambassador (the Visigoths capture Rome, though they leave it unscathed) and sets off on a quest for adventure and enlightenment in the company of his chaplain Father Bernardo, his groom Chiron, and his page Gito. His wanderings take him across the length of the known world, through monasteries, taverns, palaces, and brothels. In Greece, he acquires a wife, Artemisia, whom he promptly leaves behind. In a remote mountain kingdom he is nearly captured by a fierce tribe of female warriors who keep men in prison to serve their every desire. He also becomes the compatriot for a time of a Sir Gavin, and helps him fight off a Green Knight and find the Holy Grail. Does Marcus find what he is looking for? Don’t forget that there are two more books to come.
A good portrait of an often-overlooked period, Massie’s account takes a you-are-there approach that ends up feeling more like Forrest Gump than I, Claudius.Pub Date: March 1, 2003
ISBN: 0-75381-310-6
Page Count: 304
Publisher: Phoenix/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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