Goodman’s sweeping page-turner is at once historical and modern, intimate and epic, personal and powerful.
A 16th-century noblewoman is stranded on a desert island. How will she survive—and thrive?
In an author’s note following her gripping new novel, Goodman explains that the story originated when, in a children’s book about Jacques Cartier, she encountered an aside about one of the explorer’s acquaintances: “In 1542, a nobleman named Jean-François Roberval sailed separately with colonists to meet with Cartier in what is now called Canada,” she recalls learning. “Roberval brought along his young ward, Marguerite de la Rocque, who annoyed him by having an affair aboard ship. Roberval marooned Marguerite and her lover on an island in the Gulf of Saint Lawrence where she managed to survive for more than two years while fighting off polar bears.” Fascinated by this tidbit, Goodman set out to write her version of Marguerite’s story, based on historical accounts. In it, we meet Marguerite, wealthy and landed but orphaned by age 3, alone in the world but for her pious, loving, and loyal nurse, Damienne. As Marguerite grows, her rarely present guardian, Roberval, incrementally cashes in her property and future for his own benefit. Eventually, the cruel man sets sail to claim new territory for the King and takes along terrified Marguerite and Damienne, presumably intending to claim Marguerite for himself. Aboard ship, Marguerite falls in love with Roberval’s secretary, infuriating Roberval and sealing their fate. The author charts Marguerite’s journey from nobly born naïf, to steely survivor, to patron of the poor. Setting Marguerite’s story of love and loss against snippets from Anne of France’s Lessons for My Daughter—advice from the daughter of Louis XI on how to be modest and chaste circa 1517—Goodman underscores the cultural headwinds against which her heroine struggles to achieve autonomy and self-actualization. Goodman writes with fluid beauty, deep empathy, and an emotional undertow that pulls you in and holds you from the first page to the last.
Goodman’s sweeping page-turner is at once historical and modern, intimate and epic, personal and powerful.Pub Date: Feb. 4, 2025
ISBN: 9780593730089
Page Count: 400
Publisher: Dial Press
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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