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WHIPPING BOY

THE FORTY-YEAR SEARCH FOR MY TWELVE-YEAR-OLD BULLY

Full of intrigue and suspense, the story follows the bizarre twists and turns of one man’s journey to find and confront his...

One man’s search for his childhood bully, who turned out to be far more than that.

Sent to a Swiss boarding school run with clocklike precision at the age of 10, Kurzweil (Leon and the Champion Chip, 2010, etc.) endured a year of torment, especially from one student, a bully named Cesar Augustus. Thirty years later, the author’s nemesis appeared as a character in one of his children’s books, an event that triggered him to search for Cesar, as he still remembered the pain and shame of the verbal and physical abuse he suffered. Over the course of 10 years, Kurzweil became a master sleuth and discovered that Cesar was far more than a bully. Using the Internet and many other resources, the author discovered that Cesar had been involved in a major advance-fee banking scam, fronted by the Badische Trust Consortium, which involved millions of dollars, fake princes and knights, high-profile lawyers and gullible clients longing for the funds to finance their dreams. Kurzweil explores his longing to connect with and confront the bully of his childhood, who had become an adult con artist convicted twice yet still seemingly intent on scamming people in one way or another. His story reads like a European version of American Hustle, complete with men in monocles and silk ascots, fancy dinners in expensive restaurants and his own methods of espionage that he used to obtain information. His fast-paced narrative, with its rich details of the intricate nature of the scam and his uncanny ability to ferret out the truth, almost masks his underlying desire to talk to Cesar about that year in school. When he finally does, readers receive a satisfactory ending to this 40-year drama.

Full of intrigue and suspense, the story follows the bizarre twists and turns of one man’s journey to find and confront his childhood tormentor—ready-made for a film treatment.

Pub Date: Jan. 20, 2015

ISBN: 978-0-06-226948-5

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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