With sensitive text and powerful illustrations, Say brings this remarkable, inspiring life to poignant reality.

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SILENT DAYS, SILENT DREAMS

An imagined biography in words and pictures of the self-taught white artist James Castle.

James Castle was born in 1899 on a farm in rural Idaho, “deaf, mute, autistic, and probably dyslexic.” Using interviews, written biographical material, and Castle’s own drawings as guides, Say, writing in the voice of Robert “Bob” Beach, Castle’s nephew, offers a sensitive portrait of a person compelled to draw despite abuse and lack of drawing materials. Considered “ineducable” by the principal of the Idaho School for the Deaf James attended from ages 10 to 15 (he also told James’ father not to let him draw), James used burnt matchsticks, soot mixed with his own saliva, and scrap paper to draw in secret. When Beach showed some of Castle’s drawings to his art professor, the professor, impressed, arranged an exhibition. More exhibitions followed, and Castle moved into a used trailer—by far the nicest studio he ever had. It’s a small but deep triumph that this misunderstood, determined artist became discovered by the art world during his lifetime. “I think he was happy,” narrator Bob says of this period, and it’s a wistful note that Say’s illustrations—some in Castle’s own style, some darkly black and white, and some in color—give heartfelt resonance to.

With sensitive text and powerful illustrations, Say brings this remarkable, inspiring life to poignant reality. (author’s note, bibliography) (Picture book/biography. 8-15)

Pub Date: Oct. 31, 2017

ISBN: 978-0-545-92761-1

Page Count: 64

Publisher: Levine/Scholastic

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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A breezy, bustling bucketful of courageous acts and eye-popping feats.

50 IMPRESSIVE KIDS AND THEIR AMAZING (AND TRUE!) STORIES

From the They Did What? series

Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?

Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.

A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)

Pub Date: May 10, 2016

ISBN: 978-0-14-751813-2

Page Count: 320

Publisher: Puffin

Review Posted Online: Nov. 11, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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Despite its not insignificant flaws, this book provides insights into the lives of important women, many of whom have...

SHE DID IT!

21 WOMEN WHO CHANGED THE WAY WE THINK

Caldecott Medalist McCully delves into the lives of extraordinary American women.

Beginning with the subject of her earlier biography Ida M. Tarbell (2014), McCully uses a chronological (by birth year) structure to organize her diverse array of subjects, each of whom is allotted approximately 10 pages. Lovely design enhances the text with a full-color portrait of each woman and small additional illustrations in the author/illustrator’s traditional style, plenty of white space, and spare use of dynamic colors. This survey provides greater depth than most, but even so, some topics go troublingly uncontextualized to the point of reinforcing stereotype: “In slavery, Black women had been punished for trying to improve their appearance. Now that they were free, many cared a great deal about grooming”; “President Roosevelt ordered all Japanese Americans on the West Coast to report to internment camps to keep them from providing aid to the enemy Japanese forces.” Of the 21 surveyed, one Japanese-American woman (Patsy Mink) is highlighted, as are one Latinx woman (Dolores Huerta), one Mohegan woman (Gladys Tantaquidgeon), three black women (Madam C.J. Walker, Ella Baker, and Shirley Chisholm), four out queer white women (Billie Jean King, Barbara Gittings, Jane Addams, and Isadora Duncan; the latter two’s sexualities are not discussed), two Jewish women (Gertrude Berg and Vera Rubin), and three women with known disabilities (Addams, Dorothea Lange, and Temple Grandin).

Despite its not insignificant flaws, this book provides insights into the lives of important women, many of whom have otherwise yet to be featured in nonfiction for young readers. (sources) (Collective biography. 10-14)

Pub Date: Nov. 6, 2018

ISBN: 978-1-368-01991-0

Page Count: 272

Publisher: Disney-Hyperion

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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