An empathetic, complex, and offbeat tale.

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From the A Thung Toh Jig series , Vol. 1

King and Swanson’s debut SF/fantasy novel uses dazzling worldbuilding and a hodgepodge of characters, cultures, and fantastic species to tell a powerful, human story.

Aliara and Sylandair had gotten out, or at least they thought they had. They were once slaves, but after their master, Kluuta Orono, apparently died in a catastrophic explosion, they escaped and never looked back. Now, in 2084, they’ve built a life for themselves, trading on their wit, skill, and clout in the atoll of Dockhaven. When rumors of the survival of their former owner reach their ears, they have little choice but to investigate for themselves. Meanwhile, in the ramshackle port city, there’s a constant buzz of tragedy; in particular, children have been disappearing. After the pair’s investigation turns up evidence of the cause of these disappearances, it soon becomes clear that something far darker is afoot. In this novel, the city of Dockhaven and the world of Ismae are nearly characters themselves, and the authors introduce a variety of unfamiliar humanoid species, such as the scaly draas and the imposing karju, as part of the complex setting as well as a nuanced mix of magic and science. The worldbuilding is nearly flawless in its execution, which will entice readers to immerse themselves in the story and acclimate themselves to its strangeness as they go. The novel also strikes a chord with its characterization; Aliara and Sylandair are shown to be very much in love, but they’re unscrupulous toward most anyone else and willing to lie to, steal from, or sacrifice others when necessary. They’re extremely confident and skilled but also deeply scarred by their trauma at Orono’s hands, and they remember those experiences as they go about their daily lives. Meanwhile, Schmalch, a not-so-trustworthy thief for hire, offers an outsider’s perspective on the main pair as well as welcome comic relief. The intriguing plot makes excellent use of its primary characters, resulting in a breathtaking, harmonious read.

An empathetic, complex, and offbeat tale.

Pub Date: Feb. 14, 2019

ISBN: 978-1-73357-830-1

Page Count: 504

Publisher: Ismae Books

Review Posted Online: Sept. 24, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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