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NORTH TO NARA

From the Crimson Sash series , Vol. 1

An entertaining and thoughtful futuristic tale.

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In this debut SF novel, a teenage girl and her empath must escape their totalitarian government to love each other freely.

Neve Hall, 17, is proud to live in the Nation, which emerged generations ago, unified by the Grand Expulsions that exiled non-Nationals. Soon afterward, climate warming caused mass extinctions, but the Nation has prospered thanks to a robust civil service consisting of four classes: Laborers, Soldiers, Enforcers, and Sufferers. The last relieve emotional pain through a combination of personal qualities and technology. When a young, leonine Sufferer (empath) steps in to protect a traitor—reviled in Neve’s patriotic world—from a bloodthirsty mob, she’s impressed by his kindness and courage. Soon afterward, Neve accidentally finds out that her new Sufferer is the same young man, Micah Ward, 19. But the Sufferer-Sieve (non-empath) relationship is anonymous by law. Recognizing Neve from their session, Micah asks her not to confess her discovery until his punishment for helping a traitor is decided. While meeting to discuss the case’s progress, the two fall in love, but Sufferers are not allowed to marry. They also die young, aged prematurely by the pain they take on, and can never quit. When Neve and Micah run afoul of the Nation’s harsh laws, Neve vows to find a way out by journeying north to the New American Republic of the Atlantic, or Nara, which has snow, wild animals, and freedom. But escaping won’t be easy. In this series opener, Marin provides a well-rounded picture of a plausible future with aspects relatable to today, such as the Nation’s anti-immigrant policies and its bleak border wall. The relationship between Neve and Micah goes deeper than physical attraction. Through him, Neve learns of the Nation’s limitations and cruelties, helping her to grow in perspective, and his bravery inspires her to risk all to save him. Meanwhile, Micah finds comfort in Neve’s tenderness. At times, Neve insists on rather pointless and even dangerous self-sacrifices, such as wearing a conspicuous red traitor’s armband when she’s on the run, but this is consistent with a teenager’s melodramatic emotions.

An entertaining and thoughtful futuristic tale.

Pub Date: April 23, 2019

ISBN: 978-1-949931-20-4

Page Count: 237

Publisher: Inkspell Publishing

Review Posted Online: Nov. 5, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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