A powerful if sometimes wayward take on a marriage on the rocks.
A family sailing excursion goes badly awry in a perfect storm of weather, naiveté, and marital tension.
Michael Partlow feels trapped in a dull job and wants an adventure; his wife, Juliet, is a stay-at-home mother of two who’s prone to depression. (Her malaise is exacerbated by her having to abandon her dissertation on the poet Anne Sexton, another depressive mom.) In an impulsive moment, Michael decides to purchase a small yacht (which he renames Juliet) and brings the family down to Panama to sail it to Cartagena, Colombia. We know early that something went wrong on the trip: Juliet notes that their house is “a point of interest,” Michael is absent, and she’s taken to retreating to a closet. As Gaige parcels out details of the calamity, she frames Michael and Juliet’s story as he said, -she said dueling narratives: Juliet’s present-day narration of the trip's aftermath alternates with entries from Michael’s logbook. The parrying reveals how sometimes even the closest couples fail to understand each other: Michael is prone to mocking Juliet’s sensitivity (“Tears, a husband’s kryptonite”) while Juliet only had the slightest sense of his internal seething, which intertwines grumpy political grievances with escalating contempt for his marriage. Gaige is well-suited for this sort of psychological exploration: Her previous novel, Schroder (2013), smartly chronicled the irrationality that can consume a marital split. And the seafaring sections are gripping, as the family’s lives are literally tempest-tossed. Yet the novel is also a ship carrying a lot of ballast, as Gaige sometimes strains to keep the couple’s parrying going: spats, riffs on parenting, literary analysis, and a late-breaking murder mystery that feels tacked-on. None of which sinks the story, but it does dampen its power.
A powerful if sometimes wayward take on a marriage on the rocks.Pub Date: May 19, 2020
ISBN: 978-0-525-65649-4
Page Count: 288
Publisher: Knopf
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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