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PACIFIC STREET

An often engaging story that will likely appeal to readers with an interest in genealogy, immigration history, or Jewish...

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Cohen’s debut novel offers a fictionalized account of her immigrant grandfather and first-generation American grandmother as they struggle to grow up in New York City at the turn of the 20th century.

Isadore Goldshlager is a young, Romanian Jew who’s living in the town of Iasi at the outset of this story. The general anti-Semitic attitude of the Romanian government, as well as increasing violence against Jewish citizens, inspires him to get his parents’ permission to immigrate to America with a friend at the tender age of 15. Across the ocean in New York City, Gussie Brotman, the American-born daughter of Polish immigrants, is struggling to deal with the recent death of her father and the increasing demands on her time by her single mother, who needs help raising Gussie’s younger siblings. The narrative alternates between these two main characters as they steadily age, recounting the immigration challenges they faced, their encounters with bigotry, and their difficulties meeting family expectations and achieving the American dream. It’s easy to sympathize with the hardworking Isadore, who feels stuck without a trade, and who’s less attractive and successful than his younger brother. Gussie, too, is relatable as a young woman who’s cut off from school and peers, stuck babysitting her younger brother, and fantasizing while reading books that she borrows from the library. Although this fictional story draws upon the author’s family history, it’s not so sentimental that strangers will find it inaccessible. Indeed, anyone whose family has experienced the hardships of immigration and assimilation will appreciate the book’s message. In straightforward, matter-of-fact prose, Cohen portrays her characters’ foibles as well as their virtues. There are some mentions of unexplained Jewish customs and traditions, and some readers may need to do research to fully understand them. Overall, though, this book is appropriate for readers in their early teens and older.

An often engaging story that will likely appeal to readers with an interest in genealogy, immigration history, or Jewish history.  

Pub Date: Dec. 20, 2016

ISBN: 978-1-5411-7036-0

Page Count: 232

Publisher: CreateSpace

Review Posted Online: May 19, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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