A heroic cosmic odyssey that—for all the technology—remains textured with the stuff of legend, stirring and ultimately...
A space explorer—investigating a vanished expedition to colonize a faraway world—recalls an epic life filled with adventures, loss, and peril as he faces a potential reunion with a former love.
Debut author Cahill spins a wide-roaming galactic tale with mythic overtones here. The novel’s first-person narrator is big, stout-hearted Oren Siris of a moon mining colony called Verygone. In spacegoing humanity’s far future (or remote past?), Oren belongs to the “Fellowship,” a vast unity of settled worlds—there’s no mention of intelligent alien life—ever pushing outward and exploring, much like the Star Trek franchise’s Federation. In trying to establish an outpost on the promising but remote world of Eaiph, a vanguard of “Architects” has seemingly disappeared—among them is Saiara Tumon Yta, a Fellowship ensign who was Oren’s great love. Because people can live millennia with advanced Fellowship technology and cryonic stasis, Oren hopes to reunite with Saiara, even after 627 years, as his own follow-up ship nears the planet. Meanwhile, the narrative recounts Oren’s earlier space exploits as a rookie cadet facing dangers and wonders, ranging from a derelict starship’s artificial intelligence (aka the “shipheart”) turning malignant to a rococo culture featuring a charming, penniless aristocrat leading visitors through a sort of carnival masquerade drawn from the dominant religion. At last on the semibarbaric Eaiph, Oren encounters old and new threats while trying to remain true to the Fellowship’s idealistic goals and his own dreams. The author’s rich vocabulary weaves spells with hard sci-fi threads blended neatly with loanwords and arcane and antique jargon (“amanuensis,” “pausha,” “biologician”). It is a mixture that sometimes touches the sublime in sci-fi lyricism: “We had reached Eaiph, one of the most fertile worlds ever discovered, a glassy blue cauldron of life, waiting for those to live it. In three more galactic weeks, the little waterstone would arrive to meet us on its passage around Soth Ra.” One can forgive Cahill’s springing the old Nightmare on Elm Street trick a few times too many, as tough spots and cliffhangers turn out to be dreams (yet sometimes, more than dreams). The manner in which the author resolves the strands should pinch the heartstrings of readers accustomed to programmed uplift.
A heroic cosmic odyssey that—for all the technology—remains textured with the stuff of legend, stirring and ultimately melancholy.Pub Date: Nov. 17, 2017
ISBN: 978-1-973326-65-6
Page Count: 490
Publisher: Time Tunnel Media
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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